
Texan rancher Jordan "Bick" Benedict, Jr. (Rock Hudson) visits a Maryland farm to buy a prize horse. While there he meets and falls in love with the owner's daughter Leslie (Dame Elizabeth Taylor), they are married immediately and return to his ranch. The story of their family and its rivalry with cowboy and (later oil tycoon) Jett Rink (James Dean) unfolds across two generations.... (Full plot summary below)
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Texan rancher Jordan "Bick" Benedict, Jr. (Rock Hudson) visits a Maryland farm to buy a prize horse. While there he meets and falls in love with the owner's daughter Leslie (Dame Elizabeth Taylor), they are married immediately and return to his ranch. The story of their family and its rivalry with cowboy and (later oil tycoon) Jett Rink (James Dean) unfolds across two generations.
Leave your thoughts about Giant.
| VarietyVariety StaffAn excellent film which registers strongly on all levels, whether it's in its breathtaking panoramic shots of the dusty Texas plains; the personal, dramatic impact of the story itself, or the resounding message it has to impart. |
| New York TimesBosley CrowtherGiant, for all its complexity, is a strong contender for the year's top-film award. |
| Spirituality and PracticeFrederic and Mary Ann BrussatOffers a lively portrait of a marriage that weathers all storms and evolves over time into something more than it was at the outset. |
| Hollywood ReporterDouglas PrattA real movie is big, grand, magnificent and regales you with all the power that movies can wield upon a viewer's imagination and spirit. George Stevens' 1956 production, Giant, is a real movie. |
| Austin ChronicleMarjorie BaumgartenIf Texas had a state movie, then Giant would be it. |
| Combustible CelluloidJeffrey M. AndersonGeorge Stevens captured the vast space of Texas by using height, not width. It's fascinating to watch. It tells a long story, a story of times changing for better or worse. |
| Filmcritic.comChristopher NullDean (in one of 3 roles on film) makes quite an impression, and Taylor reminds us why we ever liked her to begin with. |
| Creative LoafingMatt BrunsonThis ambitious adaptation of the Edna Ferber novel is often touched by greatness, yet it's ultimately too scattershot to satisfactorily maintain its bloated 200-minute running time. |
| Time OutGeoff AndrewStevens' sprawling epic of Texan life, taken from Edna Ferber's novel, strives so hard for Serious Statements that it ends up as a long yawn. |
| eFilmCritic.comRob GonsalvesEntertaining in a big-movie way, but very, very long; many scenes are expendable. |