
The family of "Big Daddy" Pollitt (Burl Ives) convenes at his and Big Momma's (Dame Judith Anderson's). Among the attendees is alcoholic son, Brick (Paul Newman); an ex-football player, who spends his time drinking and avoiding the ministries of his libidinous wife, Maggie (Dame Elizabeth Taylor) - "the cat". As this gathering isn't so much as a gathering but a farewell (Big Daddy is terminally ill) a lot of memories and revelations which had been hidden come to the surface o... (Full plot summary below)
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The family of "Big Daddy" Pollitt (Burl Ives) convenes at his and Big Momma's (Dame Judith Anderson's). Among the attendees is alcoholic son, Brick (Paul Newman); an ex-football player, who spends his time drinking and avoiding the ministries of his libidinous wife, Maggie (Dame Elizabeth Taylor) - "the cat". As this gathering isn't so much as a gathering but a farewell (Big Daddy is terminally ill) a lot of memories and revelations which had been hidden come to the surface of both father and son.
Leave your thoughts about Cat on a Hot Tin Roof.
| The New York TimesBosley CrowtherBurl Ives, Paul Newman, Elizabeth Taylor, Judith Anderson, Jack Carson and two or three more almost work and yell themselves to pieces making this drama of strife within a new-rich Southern family a ferocious and fascinating show. And what a pack of trashy people these accomplished actors perform! |
| The Observer (UK)Sloan FreerThe manipulative Maggie, irritated by the heat and by Gooper and Sister Woman’s ”no-neck monsters,” is among Taylor’s most accomplished creations and earned her a second Oscar nod; the performance has an inner coil in it, as if something were ready to spring at any second. |
| Film Freak CentralWalter ChawA mousetrap with teeth that grip and a musky atmosphere of frustrated sex and milky desperation that serves as poisoned bait. |
| Village VoiceAngelica Jade BastienThe 1958 film Cat on a Hot Tin Roof is not a good adaptation of Tennessee Williams’s play of the same name. But as a portrayal of the depths of loneliness we create for ourselves, and an example of the power of star performance, it’s a great film. |
| Time OutCrosby DayIn his four earlier films, Williams seemed to need a warmup of two backward steps before he could take one step forward, but at least the movement was visible and real. This time, Adapter-Director Richard Brooks has been able to put very little motion in his motion picture. His Cat is a formaldehyded tabby that sits static while layer after layer of its skin is peeled off, life after life of its nine lives unsentimentally destroyed. But in Williams, Brooks has a rare playwright who can make his static electric, and a blinkered grope toward the past as suspenseful as a headlong crash into the future. |
| Creative LoafingMatt BrunsonElizabeth Taylor and Paul Newman, both gorgeous beyond measure, strike sparks as the sexually unfulfilled Maggie and her tortured husband Brick, while Burl Ives is sensational as the family patriarch Big Daddy. |
| The SpectatorIsabel QuiglySuperbly acted, and following the Kazan-inspired happy ending third act written as a rather reluctant postscript, rather than the original original, it is a photographed stage play and we remain outside, in the audience. |
| Urban CinefileUrban Cinefile CriticsThis is a classic for good reason; it stands repeated viewing. |
| DVDJournal.comMark BourneStill, this potentially over-scrubbed production kept enough of Williams' energy and poetic Americana intact, fleshing it up with an ensemble of career-imprinting performances and MGM production lavishness. |
| Matt's Movie ReviewsMatthew PejkovicIt is a fine piece of acting by Paul Newman, the Southern gentlemen portraying his fragile and haunted character with an unparalleled amount of soul, which he had imbedded in many of his characters. |