Gertrud
Gertrud

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- 73/100 based on 6,598 votes

In the elegant world of artists and musicians, Gertrud ends her marriage to Gustav and takes a lover, the composer Erland Jansson. When he also fails to live up to her idealistic standards, she leaves him and imposes on herself a kind of exile of the heart. In flashbacks and in conversations laced with memories, we also learn of her affair with Gabriel, who still wishes she would go off with him, and we learn of her adolescence, with its early expression of her isolating idea... (Full plot summary below)

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Full Plot Details

In the elegant world of artists and musicians, Gertrud ends her marriage to Gustav and takes a lover, the composer Erland Jansson. When he also fails to live up to her idealistic standards, she leaves him and imposes on herself a kind of exile of the heart. In flashbacks and in conversations laced with memories, we also learn of her affair with Gabriel, who still wishes she would go off with him, and we learn of her adolescence, with its early expression of her isolating ideal of absolute love.

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Movie Reviews

The Spectator - 10/10 by Penelope HoustonHere is an enigmatically modern film with the deceptive air of a staidly old-fashioned one.
New York Times - 10/10 by Stanley KauffmannIn his best films there has always been an underlying human concern that sustained us through any longueurs of execution. Here, under the slow, posed pictures, there is nothing but the dated theme described above.
MovieMartyr.com - 10/10 by Jeremy HeilmanI would imagine that many would find it unwatchable, or would incorrectly deem it uncinematic, but it understands the language of cinema better than nearly any film that I've seen. Every cut, every pan, every zoom matters.
Time Out - 8/10 by Tony RaynsOne of the most purely cinematic discourses of the 1960s.
Film4 - 7/10 by Jon FortgangAn elegant melodrama, acted and directed with precision. Let it unfold at its own unhurried pace and the rewards are ample and long lasting.
Variety - 6/10 by Variety StaffNina Pens Rode has the right luminous quality for the romantic, uncompromising Gertrud, while the men are acceptable if sometimes overindulgent in their roles.
User Review - 10/10 by Jaime GMostly composed of long takes of conversations, Dreyer creates an unnervingly poignant observation on memory and free will, among other things.
User Review - 10/10 by Christoph SThere was a time when I could not have ever imagined a greater film than this one, but that was when I was at my most purist and ascetic about what constituted great art. I still don't deny it any of its manifest power, as both an enlightened and moving manifesto. A great summation to Dreyer's career and life.
User Review - 10/10 by Scott RAlthough seen by some as being slow, still and sombre, I feel it is also beautiful in its own way. It offers one of the most stunning cinematography in black and white (there's something with Dreyer, and also Bergman's films and Tarkovsky's Andrei Rublev, where the cinematography looks just sharp and pretty in black and white). The story is very melancholic yet poignant, you feel for Gertrud's character (played brilliantly yet subtly by Nina Pens Rode) as she goes through isolation and doubt when it comes to who she loves. But what really impressed me is how expertly done were the long takes and its rather poignant ending, which seems like a great way to end Dreyer's filmography. Gertrud is perhaps my favourite Dreyer film, although Ordet, Day of Wrath and Passion of Joan of Arc I also value as being masterpieces as well.
User Review - 10/10 by Brad SThis film is a masterpiece in my opinion, and is the last film of the great Carl Theodor Dreyer, who directed one of my top ten films of all-time, "The Passion of Joan of Arc." This film is based on a play, and you can sense that as it is dialogue heavy, and often only two characters onscreen at a time. The story follows Getrud who is leaving a loveless marriage to pursue a relationship with her lover with whom she is in live with. Her husband has let her down and not lived up to her high standards of what she feels love should be, but her lover then in turn also lets her down, and she decides to isolate herself afterwards. The films has several themes are work, dealing with love, isolation, and people's expectations of what their life should be. The direction is excellent in my opinion, the film looks great, and even though there isn't a lot of action, and there are many static shots, the viewer is kept engaged. Nina Pens Rode is excellent in the lead role, and really anchors the film. I have a strong suspicion I will revisit this film more than once, and will discover new things with each progressive viewing. Highly recommended for serious films fans!

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