
A troupe of travelling players arrive at a small seaport in the south of Japan. Komajuro Arashi, the aging master of the troupe, goes to visit his old flame Oyoshi and their son Kiyoshi, even though Kiyoshi believes Komajuro is his uncle. The leading actress Sumiko is jealous and so, in order to humiliate the master, persuades the younger actress Kayo to seduce Kiyoshi.... (Full plot summary below)
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A troupe of travelling players arrive at a small seaport in the south of Japan. Komajuro Arashi, the aging master of the troupe, goes to visit his old flame Oyoshi and their son Kiyoshi, even though Kiyoshi believes Komajuro is his uncle. The leading actress Sumiko is jealous and so, in order to humiliate the master, persuades the younger actress Kayo to seduce Kiyoshi.
Leave your thoughts about Floating Weeds.
| Chicago Sun-TimesRoger EbertSooner or later, everyone who loves movies comes to Ozu. He is the quietest and gentlest of directors, the most humanistic, the most serene. But the emotions that flow through his films are strong and deep. |
| Time OutGeoff AndrewThe sheer beauty of Ozu's exquisite (and typically eccentric) compositions and the expressive use of sound tell all you need know about the characters, their emotions and relationships. |
| Alternate EndingTim BraytonAn exemplar of a career and an aesthetic universe that's extraordinary even in much weaker films than this one. |
| LarsenOnFilmJosh Larsen...there isn't a detail in Floating Weeds that isn't meant to be carefully seen. |
| Observer (UK)Philip FrenchThis is a vibrant movie, one of his few in colour, and touches on universal themes through the story of a middle-aged actor and his young mistress coming with a second-rate kabuki company to a small coastal town. |
| Chicago ReaderDave KehrHis spare, slow-moving films are not for all tastes, but once the rhythms are accepted, Ozu's work offers a unique emotional experience. |
| BBC.comTom DawsonRichly atmospheric, with its expressive use of colour, lyrical cutaways, and masterly interior compositions -- predominantly shot from Ozu's trademark low-level camera position -- impressively illustrating the director's visual artistry. |
| Filmcritic.comDon WillmottLike all of Ozu's work, it's incredibly human, and that can be a rarity in the artificial world of the cinema. |
| CinemaniaDan JardineAs with much of Ozu's ouevre, verges on the melodramatic, but shows just enough restraint to prevent descent into such syrupy realms |
| Film4Ali CatterallA poignant tale of everyday folk; their lives, loves and losses, rendered with exquisite care, compassion and no small measure of humanity by one of the masters of Japanese cinema. |