
Maria Jose 'Majo' Tonorio is a tough LA street poet who spits from the heart. After meeting a talented DJ she cuts her first demo under the guidance of a small time hustler more interested in promoting Majo's sexuality than her lyrics. Soon a major label and its strong-arm executive come calling. Convinced that a record deal will deliver much needed money for the family, Majo is suddenly faced with some stark choices. Does she accept the deal and turn her back on the friends ... (Full plot summary below)
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Maria Jose 'Majo' Tonorio is a tough LA street poet who spits from the heart. After meeting a talented DJ she cuts her first demo under the guidance of a small time hustler more interested in promoting Majo's sexuality than her lyrics. Soon a major label and its strong-arm executive come calling. Convinced that a record deal will deliver much needed money for the family, Majo is suddenly faced with some stark choices. Does she accept the deal and turn her back on the friends who got her to the precipice of success or does she let a golden opportunity slip away.
Leave your thoughts about Filly Brown.
| Austin ChronicleLouis BlackSure, we’ve all seen this story before, but that doesn’t hamper this film from being enormously entertaining, with riveting performances, great beats, and poetic rhymes. |
| Los Angeles TimesAmy NicholsonThe cast keeps us invested in Filly's furious resurrection. |
| Village VoiceAaron HillisYoussef Delara and Michael D. Olmos's variation on the too-familiar subgenre (the rising inner-city superstar here is a Latina tomboy) is more heartfelt, humanistic, and entertaining than such a clichéd showbiz cautionary tale has any right to be. |
| Paste MagazineAnnlee EllingsonThe movie works best as a showcase for Rodriguez, transcending its simplistic script and clichéd plot in snatches -- when its leading lady is at the mike and especially in the film's final awkward family reunion. |
| TheMovieReport.comMichael DequinaHowever much earnest commitment and passion that the cast lend to their roles, it ultimately cannot overcome the routine structure and approach to the overall execution. |
| The Hollywood ReporterDavid RooneyA dynamic breakout performance from Gina Rodriguez helps this rap-infused drama about a young Los Angeles Latina overcome its patchy storytelling. |
| USA TodayClaudia PuigMelodramatic and gritty Filly Brown marks the debut of a magnetic screen presence in Gina Rodriguez, as well as the final performance of singer Jenni Rivera, who died in a plane crash in December. |
| McClatchy-Tribune News ServiceRoger MooreThere’s nothing much new here, but the performances and the milieu make Filly Brown an entertaining, honorable installment in a story that is the American Dream incarnate, and has been ever since the first wannabe showed up on Tin Pan Alley at the beginning of the last century. |
| Washington PostSean O'ConnellA routine music business cautionary tale, the film shuffles its decks ever so slightly by casting a Latino actress as its lead, but doesn't do enough to shed the exasperating confines of the star-is-born genre. |
| VarietyRobert KoehlerThe resulting film is a trite piece of storytelling, with character development and plot points that feel not so much lived in as borrowed from other movies. |