
The myth of King Arthur (Nigel Terry) brought once again to the screen. Uthur Pendragon (Gabriel Byrne) is given the mystical sword Excalibur by the wizard Merlin. At his death, Uthur buries the sword into a stone, and the next man that can pull it out will be King of England. Several years later, Arthur, Uthur's bastard son, draws Excalibur and becomes King. Guided by Merlin, Arthur marries Guenevere (Cherie Lunghi) and gathers the Knights of the Round Table. Arthur's evil h... (Full plot summary below)
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The myth of King Arthur (Nigel Terry) brought once again to the screen. Uthur Pendragon (Gabriel Byrne) is given the mystical sword Excalibur by the wizard Merlin. At his death, Uthur buries the sword into a stone, and the next man that can pull it out will be King of England. Several years later, Arthur, Uthur's bastard son, draws Excalibur and becomes King. Guided by Merlin, Arthur marries Guenevere (Cherie Lunghi) and gathers the Knights of the Round Table. Arthur's evil half-sister Morgana (Dame Helen Mirren) sires a son with him, who may prove to be his downfall.
Leave your thoughts about Excalibur.
| Austin ChronicleMarjorie BaumgartenBeautiful rendition of King Arthur milieu by the master filmmaker John Boorman. |
| Cinemaphile.orgDavid Keyes...one of those great miracles in filmmaking... It's concept of Arthur and the landscape that surrounds him is a benchmark for fantasy as we know it. |
| eFilmCritic.comBrian MckayBoorman picks through the murky haystack of Arthurian legend and finds a golden needle |
| Mountain Xpress (Asheville, NC)Ken HankeOne of my favorite films of its year, and far and away my favorite of this type of film. (And, yes, I include Peter Jackson's Lord of the Rings films in that assessment.) |
| Sci-Fi Movie PageJames O'EhleyThe film based on La Morte D'Arthur by Thomas Malory does actually remind one of passages from that novel. Poetic. |
| VarietyVariety StaffExquisite, a near-perfect blend of action, romance, fantasy and philosophy, finely acted and beautifully filmed by director John Boorman and cinematographer Alex Thomson. |
| Chicago ReaderDave KehrJohn Boorman's 1981 retelling of the Arthurian legends is a continuation of the thematic thrust and visual plan of his Exorcist II, though the failure of that bold, hallucinatory, and flawed film seems to have put Boorman into partial retreat. |
| New York TimesVincent CanbyMr. Boorman takes these myths very seriously, but he has used them with a pretentiousness that obscures his vision. |
| People MagazineRalph NovakDespite moments of high style and wit, [Excalibur] too often substitutes mayhem for magic. |
| TimeRichard SchickelLove Excalibur or hate it, but give Boorman credit for the loopy grandeur of his imagery and imaginings, for the sweet smell of excess, for his heroic gamble that a movie can dare to trip over its pretensions— and still fly. |