
In late nineteenth century Vienna, renowned illusionist Eisenheim is reunited with the Duchess von Teschen when she is volunteered from the audience to participate in an illusion during one of his performances. Despite having not seen each other in fifteen years when they were teenagers, they almost immediately recognize each other as Eduard Abramovich and Sophie von Teschen, they who had a doomed romance at that time due to their class differences. The Duchess is soon to be ... (Full plot summary below)
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In late nineteenth century Vienna, renowned illusionist Eisenheim is reunited with the Duchess von Teschen when she is volunteered from the audience to participate in an illusion during one of his performances. Despite having not seen each other in fifteen years when they were teenagers, they almost immediately recognize each other as Eduard Abramovich and Sophie von Teschen, they who had a doomed romance at that time due to their class differences. The Duchess is soon to be wed to the Crown Prince Leopold in what would be for him a marriage solely in pursuit of power: overthrowing his father, the Emperor Leopold, as well as overtaking the Hungarian side of the empire. The Crown Prince is known to use violence against women if it suits his needs or purposes. As such, the Duchess, who realizes that she still loves Eisenheim and he her, can never leave the Crown Prince without it jeopardizing her life. After Eisenheim humiliates the Crown Prince at a private show which results in an incident between the Crown Prince and the Duchess, the battle between Eisenheim and the Crown Prince moves into the public performance realm, which many believe demonstrates Eisenheim's supernatural powers. Much of the work for the Crown Prince in the battle with Eisenheim is conducted by Chief Inspector Uhl, who would become the Chief of Police under the Crown Prince's reign. As such, Uhl may have ulterior motives in turning a blind eye to any unlawful act of the Crown Prince against Eisenheim or the Duchess.
Leave your thoughts about The Illusionist.
| ReelTalk Movie ReviewsDonald J. LevitMost viewers will enjoy the fun of being rewardingly beguiled by 'The Illusionist.' |
| Dispatch-Tribune NewspapersSteve CrumComing near the close of a summer full of movie superheroes and remakes, 'The Illusionist' is a film buff's treat. Here is an atmospheric, period tale of magic and murder. |
| Salon.comStephanie ZacharekSo beautiful to look at that it practically feels like a drug. |
| New York PostLou LumenickDeserved an end-of-the-year prestige release, is a true work of art in a marketplace filled with velvet paintings. It's positively magical, the reason we loved movies in the first place. |
| AV ClubScott TobiasThe results are reasonably clever and impeccably executed, but one of these days, Burger is going to have to pull more from his hat than just the rabbit. |
| Groucho ReviewsPeter CanaveseBurger winningly combines relatively rare elements--a turn-of-the-century setting, an assured star turn by Edward Norton, and a deft Philip Glass score--to pull off a tricked-out romantic thriller. |
| Worcester Telegram & GazetteDaniel M. KimmelThe reason to see it is to see two fine American actors at the top of their game, and the lush production values... which make you feel you've entered a lost world. |
| Seattle Post-IntelligencerWilliam ArnoldThe movie also is designed to be an actor's showcase for Norton and Giamatti, two of the best movie actors of their generation. Each has his moments of fire, but some element is missing from the script that would make this duel of the titans riveting. |
| ColeSmithey.comCole SmitheyThere is a formal reverence for the unspoken loyalty between Eisenheim and Sophie that elegantly expounds on the period aspects of the story to create an atmosphere of timeless devotion and uncommon humility. |
| ReviewExpress.comDiana SaengerOne of the best films to hit theaters this year %u2013 Neil Burger's direction delivers a tale that is magic from beginning to end. |