
Commercial artist Helen Bauer believes marriage kills romance. She lives with advertising writer Don Peterson. He convinces her to marry him. He later carries on with client Peggy Smith; Helen takes up with Don's competitor Nick Malvyn. In the end, the couple agree to give marriage another chance.... (Full plot summary below)
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Commercial artist Helen Bauer believes marriage kills romance. She lives with advertising writer Don Peterson. He convinces her to marry him. He later carries on with client Peggy Smith; Helen takes up with Don's competitor Nick Malvyn. In the end, the couple agree to give marriage another chance.
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| User ReviewOrlok WA bourgeois story of women's liberation, sexual liberation, and marriage. The conflict is between petty-bourgeois monogamy/monopoly and big-bourgeois open marriage (free love/competition). The ending is reactionary, petty-bourgeois, with the husband observing/concluding to his wife that a woman without a protective husband will always be vulnerable (to threats of rape), and the wife accepting that "it hurts both ways, and...this way it hurts less." |
| User ReviewGreg WBette had little regard for this early film, her first certified starring vehicle and she's right. Being a pre-code it's racier than pictures even two years later would be but other than that it's an ordinary, insipid drama. Raymond is terrible in the male lead. A scene from this was used in Whatever Happened to Baby Jane? to show how untalented the adult Jane was and it was a solid choice since this is not one of Davis' better performances. |