
Alexander, an old writer, is ill and prepared to die. He says his goodbyes and recalls his life with his wife long ago. While driving his car he saves a street kid, an illegal immigrant from Albania, from being arrested. Later in the day, by chance, he sees the same boy being abducted, and follows in his car. Although he is preoccupied with his own regrets, he puts death on hold to find a way to help the boy.... (Full plot summary below)
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Alexander, an old writer, is ill and prepared to die. He says his goodbyes and recalls his life with his wife long ago. While driving his car he saves a street kid, an illegal immigrant from Albania, from being arrested. Later in the day, by chance, he sees the same boy being abducted, and follows in his car. Although he is preoccupied with his own regrets, he puts death on hold to find a way to help the boy.
Leave your thoughts about Eternity and a Day.
| Reel.comEdward CrouseOverall, Angelopoulos' film gives the viewer a sense of the infinite ... even if its languid artiness occasionally lulls you to sleep. |
| Chicago ReaderJonathan RosenbaumI was moved and captivated throughout its 132 minutes. |
| TV GuideSandra ContrerasThought poets were a dying species, did you? |
| San Francisco ExaminerWesley MorrisMakes a somber redemption song out of melancholy and infinite sadness, one whose eloquence transcends its stark Andrei Tarkovskyian dankness and somnambulism. |
| Film Journal InternationalPeter HenneFor at least half of its length, it is quietly revelatory, luminous and invigorating, and for those reasons it makes essential viewing. |
| ReelViewsJames BerardinelliThis is not a masterpiece, but it contains moments of rare beauty and its contemplation of life, death, regret, and memory has a subtle power. |
| The NationStuart KlawansWhy put up with so much that seems insufferable? Because at the end of Eternity and a Day, Angelopoulos somehow translates a character from the world of dreams to the world of reality instantaneously, before your eyes. |
| The New RepublicStanley KauffmannWhat had been a realistic work, lyric but realistic, slides into ostentatious symbolism. |
| User ReviewRoberta NAngelopoulos demonstrates a complete mastery of spatial geography and composition, as he seamlessly shifts between the past and present in astounding single-take scenes. The lyrical style and a mature approach to death and the passage of time transform the narrative into a cinematic elegy. |
| User ReviewZoraydah LNever thought a greek director could do the miracle!!! Simply one of the best movies of all times!!! |