An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair's life together as they slowly bu... (Full plot summary below)
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An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair's life together as they slowly build a relationship that transcends their differences.
Leave your thoughts about Driving Miss Daisy.
| Journal and Courier (Lafayette, IN)Bob BloomStandout performances by Tandy and Freeman, plus strong support from Dan Aykroyd. It's quaint and comfortable. |
| eFilmCritic.comScott WeinbergSweet and delicate, but c'mon ... it's no classic. |
| Chicago Sun-TimesRoger EbertDriving Miss Daisy is a film of great love and patience, telling a story that takes 25 years to unfold, exploring its characters as few films take the time to do. |
| Deseret News (Salt Lake City)Chris HicksLed by riveting performances from Morgan Freeman and Jessica Tandy, this Pulitzer Prize-winning comedy-drama is utterly enthralling, though also quite spare and intimate. |
| NetflixJames RocchiFreeman and Tandy are superb, assured, and fully involved with this material and each other; the ending of this film quite literally brings tears to my eyes with its compassion and humanity. |
| Chicago ReaderJonathan RosenbaumThe movie also has something legitimate and instructive to say about the subtlety and intricacy of everyday race relations in the south during the period covered (roughly 1948 to '73). |
| Tulsa WorldDennis KingIt's a story about interior lives and the gradual changes that love and respect can bring about. That's rare in today's movies, and it's something to be treasured. |
| Boston GlobeJay CarrBeresford is able to move us, one small step at a time, into the hearts of his characters. He never steps wrong on his way to a luminous final scene in which we are invited to regard one of the most privileged mysteries of life, the moment when two people allow each other to see inside. |
| Entertainment WeeklyJay BoyarBruce Beresford's sensitive direction complements Alfred Uhry's skillful adapation of his Pulitzer Prize-winning play. |
| Hollywood ReporterHenry SheehanThe fitful development of the script aside, the movie is dominated entirely by Freeman and Tandy, who manage to retain individual star-quality while acknowledging the other's presence. |
