Devastated by his daughter's death in a terrible accident, Ben becomes convinced that he can bring her back through a recurring dream. But is it just a dream? Or is Ben losing his mind?... (Full plot summary below)
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Devastated by his daughter's death in a terrible accident, Ben becomes convinced that he can bring her back through a recurring dream. But is it just a dream? Or is Ben losing his mind?
Leave your thoughts about Don't Go.
| The PlaylistWarren CantrellBolstered by a damn fine turn by Dorff, who carries most of the film, there’s more to like than dislike with this one. |
| Eye for FilmJennie KermodeThe narrative is well crafted and the result is a poignant little film that will linger in the memory. Perhaps you'll even recall it in your dreams. |
| Screen QueensChloe LeesonWith mediocre performances and style, but a whole other screenplay's worth of content to grapple with unfolded in its... final act, Gleeson's film is a sea of ideas with only a lifejacket keeping it afloat. |
| Film InquiryKristy StrouseAt times challenging, at times heartbreaking, this film isn't always gripping, but when gutted there's a viable heart. |
| Geek Girl AuthorityKimberly PierceGleeson's creation of the environment's tone through the visual, Don't Go builds a fascinating narrative which keeps you on edge right up until the final credits roll. |
| Los Angeles TimesNoel MurrayThe idea of human memory as a kind of time machine is powerful, and writer-director David Gleeson and his co-writer Ronan Blaney make it pay it off well in their movie’s final 10 minutes. It’s the preceding 80 that are the problem. |
| New York TimesTeo BugbeeIt falls on the performances to add subtle touches to the narrative’s broad strokes. George is admirably warm as the earthbound Hazel, and Dorff suggests the selfishness of his character’s selfless desperation. |
| Movie NationRoger MooreLimerick native co-writer/director David Gleeson (“Cowboys & Angels”) ensures we get lots of local color in the people, the scenery and the school and Irish pub life in this story. |
| The Hollywood ReporterFrank ScheckFor all its effective atmospherics and performances, Don't Go has an inevitably familiar feel. |
| AwardsCircuit.comJoey MagidsonOpting more for mystery and suspense than horror, the film takes too deliberate a path and leaves too much unsaid. That can be compelling when done in the service of a more powerful narrative, but too often here the story is just rudderless. |
