
A disillusioned field surgeon suffering from PTSD makes a man out of body parts and brings him to life in a Brooklyn loft.... (Full plot summary below)
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A disillusioned field surgeon suffering from PTSD makes a man out of body parts and brings him to life in a Brooklyn loft.
Leave your thoughts about Depraved.
| Slant MagazineSteven ScaifeLarry Fessenden diagnoses the rot of our era through the shifting personalities and power dynamics of solipsistic men. |
| RogerEbert.comSimon AbramsFessenden’s prickly sense of humanism makes a considerable difference in Depraved, his engrossing take on Mary Shelley’s Frankenstein, and maybe his best movie to date. |
| Austin ChronicleMatthew MonagleFor those who loved movies like "The Last Winter" or "Wendigo," Depraved is more of the same in the best possible way. |
| The A.V. ClubKatie RifeBreaux is able to wring great pathos out of the character of Adam with very few words, which only makes Henry and Polidori’s arguments about ethics, which increase in frequency as the film goes on, seem all the more tedious. |
| The New York TimesJeannette CatsoulisMaking the most of his limited budget, not unusual for the prolific Fessenden, he has produced possibly his most coherent and visually polished work to date. The makeup effects and lead performances are excellent, and Fessenden’s signature cheek (two strip-club employees are called Stormy and Melania) never tips into silliness. |
| Wall Street JournalJohn AndersonIf Mr. Fessenden had a gospel to preach it would be about the virtues of low-budget, intellectually rigorous, topical, mayhem-rich movies. Of which Depraved is a perfect example. |
| Los Angeles TimesKimber MyersDepraved is smart in its commentary on everything from the evils of the pharmaceuticals industry to the terrors of PTSD, but there’s real heart and empathy here too. Skeptics might question whether Adam has a soul or not, but Fessenden’s film clearly possesses one. |
| The Hollywood ReporterJohn DeForeThe film captures the cost of Henry's well-intentioned sin, following this pained new creature out into the world and, very briefly, giving his suffering an almost Malick-like voice. |
| TheWrapWilliam BibbianiIt’s got at least one excellent performance, but as a whole it contributes little to the “Frankenstein” tradition, other than a reminder that this has all been done before, mostly better, with more nuance and excitement. |
| Movie NationRoger MooreActor turned writer-director Larry Fessenden (“Beneath,” “Wendigo”) seeks to distract us from the well-worn path by talking us to death. There are endless scenes of the doctor (David Call of “Tiny Furniture”) “teaching” the creation he names “Adam” (CLE-verrr) the fundamentals of life. |