Dead Man
Dead Man

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- 75/100 based on 100,612 votes

In the late-1800s, the meek accountant from Cleveland, William Blake, spends the last of his already meagre savings to get to the frontier community of Machine where a job awaits him. Eager to make a fresh start, Blake arrives at his destination, only to discover that the position no longer exists. Gravely wounded and on the run from a relentless trio of bounty hunters after a deadly shoot-out, William flees the inhospitable industrial town and has a chance encounter with the... (Full plot summary below)

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Full Plot Details

In the late-1800s, the meek accountant from Cleveland, William Blake, spends the last of his already meagre savings to get to the frontier community of Machine where a job awaits him. Eager to make a fresh start, Blake arrives at his destination, only to discover that the position no longer exists. Gravely wounded and on the run from a relentless trio of bounty hunters after a deadly shoot-out, William flees the inhospitable industrial town and has a chance encounter with the enigmatic Native American spirit-guide named "Nobody", who believes Blake is the reincarnation of the visionary English poet, William Blake. Now, before the endless American wilderness, the two companions embark on a peril-laden odyssey of mysticism, transformation, and spirituality, until William crosses over into the spirit world. What lies on the other side?

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Movie Reviews

Combustible Celluloid - 10/10 by Jeffrey M. AndersonA visual, poetic journey not unlike Coppola's Apocalypse Now.
Spirituality and Practice - 10/10 by Frederic and Mary Ann BrussatVisionary Western with interesting bits on the myth of the frontier, violence and artistic outlaws.
Eye for Film - 10/10 by Anton Bitela low-key classic of strangely poetic beauty - a western for sleepwalkers and dreamers.
Commercial Appeal (Memphis, TN) - 10/10 by John BeifussIt seems to be Blake's name as much as anything that propels the character deep into a strange frontier where Blakean ideals of innocence and integrity have been obliterated by ignorance and cruelty.
PopMatters - 10/10 by Sean MurphyWhat was obvious in 1995-and the last quarter century has made increasingly clear-is that Dead Man, aside from merely being a quiet masterpiece, is one of the best American films of the late '90s.
Chicago Reader - 10/10 by Jonathan RosenbaumJarmusch has said that the film's odd, generally slow rhythm -- hypnotic if you're captivated by it, as I am, and probably unendurable if you're not--was influenced by classical Japanese period movies by Kenji Mizoguchi and Akira Kurosawa.
TV Guide Magazine - 10/10 by Jacob LevichA slow-paced but hypnotically absorbing movie, it's buoyed by Jarmusch's trademark off-key humor and embellished throughout by an electrifying instrumental score, courtesy of Neil Young.
Slant Magazine - 10/10 by Zach CampbellDead Man is likely Jim Jarmusch’s most stunning achievement.
The Retro Set - 9/10 by Nathanael HoodIf not the best American Western of the 1990s, then certainly the most original and unusual.
Newsweek - 9/10 by David AnsenWatching this movie has an almost hypnotic effect, like being carried along on a river past terrains both familiar and inexplicably, maddeningly odd.

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Dead Man