Daughters of Darkness
Daughters of Darkness

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- 65/100 based on 6,593 votes

A chic, good-looking and suitably 70's couple arrive at an extravagant and deserted seaside hotel after eloping. Stefan is wealthy and happily English, with a hidden streak of sadism, while Valarie is intelligent but of inferior (Swedish) blood. To keep her with him at the eerie hotel he lies consistantly about his relationship with his mother and his plans to tell her of their marriage. Meanwhile he has mysterious phone conversations with an older, dominant and pampered siss... (Full plot summary below)

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Full Plot Details

A chic, good-looking and suitably 70's couple arrive at an extravagant and deserted seaside hotel after eloping. Stefan is wealthy and happily English, with a hidden streak of sadism, while Valarie is intelligent but of inferior (Swedish) blood. To keep her with him at the eerie hotel he lies consistantly about his relationship with his mother and his plans to tell her of their marriage. Meanwhile he has mysterious phone conversations with an older, dominant and pampered sissy. Two fresh guests arrive; the Hungarian countess, Elizabeth Bathory and her voluptuous protege, Ilona. Virgin corpses begin showing up about the city drained of their blood. A wary detective lurks around the hotel taunting his only suspect, the Countess.

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Movie Reviews

Austin Chronicle - 9/10 by Jerry RenshawDaughters of Darkness is a superb, elegant, and sexy vampire movie; its deliberate pace only adds to its overall impact.
Alexander On Film - 9/10 by Chris AlexanderDaughters of Darkness is a pitch perfect exercise in mood, tone and tension and, if you're willing to let it work you over, it casts a slick, strange and chilly spell that sticks long after the screen has faded to red.
Chicago Reader - 8/10 by Jonathan RosenbaumHarry Kumel's stylish Belgian vampire film with a cult reputation (1971) is worth seeing for several reasons, not least of which is Delphine Seyrig's elegant lead performance as a lesbian vampire who operates a luxury hotel. The baroque mise en scene is also loads of fun.
Slant Magazine - 8/10 by Eric HendersonKümel’s impulse to remain on the waning edge of eroticism turns what could’ve been another cheap thrill into a genuinely unsettling examination of the human race’s most happily sanctioned form of vampirism: man-woman couplings.
Austin Chronicle - 8/10 by Marjorie BaumgartenAlthough slowly paced, it is always stunning to look at -- decadent and perverse in that certain Eurotrashy way.
The New York Times - 8/10 by Howard ThompsonSubtle, stately, stunningly colored and exquisitely directed by Belgium's young Harry Kumel, the coscenarist, this is far and away the most artistic vampire shocker since the Franco-Italian Blood and Roses 10 years ago.
Entertainment Weekly - 8/10 by Chris NashawatyLoaded with atmosphere, bared flesh, and a haunting turn by the Dietrich-esque Delphine Seyrig as an ageless countess who hungers for a pair of newlyweds (and their necks).
The A.V. Club - 8/10 by Scott TobiasThis psychologically dense, genuinely erotic vampire thriller lacks fangs, but it has plenty of bite.
The A.V. Club - 8/10 by Keith PhippsStrikingly shot and notable for Seyrig's monstrous, Dietrich-like character, Daughters is a psychosexual horror film that's gripping almost up to the very end.
Portland Oregonian - 8/10 by Ted MaharDaughters of Darkness is so intentionally perverse that it often slips into impure camp, but Kumel and Seyrig hold interest by piling twists on every convention of the vampire genre.

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