
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film - though there are obvious exceptions - Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious - and effects heavy - ... (Full plot summary below)
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Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film - though there are obvious exceptions - Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious - and effects heavy - effort, Semum. Both film showcased Karacadag's growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he's at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns.
Leave your thoughts about D@bbe: Demon Possession.
| User ReviewAl MEssentially another foreign remake of Paranormal Activity, the Turkish film Dabbe: Bir cin vakasi makes things interesting by substituting the Islamic myth of the Djinn for the Judea-Christian myth of the demon. The film concerns a family suffering from paranormal occurrences who discover that their problems may be the result of an evil Djinn tied to mysterious deaths in another village. Well-made, creepy, and always surprising, this film shows how the found footage genre still has life in it when the filmmakers can think of new twists to add. |