December 1897, Paris. Edmond Rostand is not yet thirty but already two children and a lot of anxieties. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. Only concern: it is not written yet. Ignoring the whims of actresses, the demands of his Corsican producers, the jealousy of his wife, the stories of his best friend's heart and the lack of enthusiasm of all those around h... (Full plot summary below)
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December 1897, Paris. Edmond Rostand is not yet thirty but already two children and a lot of anxieties. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. Only concern: it is not written yet. Ignoring the whims of actresses, the demands of his Corsican producers, the jealousy of his wife, the stories of his best friend's heart and the lack of enthusiasm of all those around him, Edmond starts writing this piece which nobody believes. For now, he has only the title: "Cyrano de Bergerac".
Leave your thoughts about Cyrano, My Love.
| RogerEbert.comGlenn KennyIt is lively, fast paced, charming and funny, and it showcases an especially delightful comic performance from Belgian and French cinema stalwart Olivier Gourmet. |
| Los Angeles TimesGary GoldsteinThis fanciful piece, written and directed by Alexis Michalik, based on his popular play “Edmond,” owes more than a passing debt to “Shakespeare in Love,” among many other stage-centric films, while staking its own claim as a brisk, funny, sneakily poignant love letter to words, plays, playwrights and actors. |
| VarietyAndrew BarkerAs fizzy as a freshly poured glass of Perrier-Jouët, though considerably less complex, writer-director Alexis Michalik’s Cyrano, My Love attempts to give the “Shakespeare in Love” treatment to the timeless French play “Cyrano de Bergerac,” with shamelessly derivative yet undeniably entertaining results. |
| Austin ChronicleRichard WhittakerIt's absolutely at its best as a predictable if pleasurable story of unlikely success. In those slight and joyous moments, this Cyrano is definitely something to touch the heart. |
| Arizona RepublicKerry LengelWhile the actors certainly have charm, the farcical plot is so formulaic that the comic fizz often feels forced. |
| The New York TimesJeannette CatsoulisAs the camera circles swirling skirts and sweeps through elegant cafes, the director, Alexis Michalik, whisks up a whirlwind of soapy declarations and backstage chaos. For many viewers, that will be enough, with enjoyment in direct proportion to tolerance for theatrical farce and hyper-romantic dialogue — and a lead character who is less engaging than either. |
| Slant MagazineDerek SmithThe film is imbued with an airless blend of buoyant comedy and soap-operatic backstage drama that recalls Shakespeare in Love. |
