Collateral
Collateral

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- 75/100 based on 420,436 votes

This action thriller follows LA cabbie Max Durocher, the type of person who can wax poetic about other people's lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can't or won't translate that eloquence into a better life for himself. He deludes himself into believing that his now ... (Full plot summary below)

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Full Plot Details

This action thriller follows LA cabbie Max Durocher, the type of person who can wax poetic about other people's lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can't or won't translate that eloquence into a better life for himself. He deludes himself into believing that his now twelve year cabbie job is temporary and that someday he will own his own limousine service. He even lies to his hospitalized mother that he already owns one, with a further lie that he tells her as such primarily to make her happy, rather than the truth which is that he won't do anything to achieve that dream. One night, Max picks up a well dressed man named Vincent, who asks Max to be his only fare for the evening. For a flat fee of $600, plus an extra $100 if he gets to the airport on time - Vincent wants Max to drive him to five stops that evening. Max somewhat reluctantly agrees. Max learns the hard way at their first stop when a body falls from a third story apartment window and lands dead on top of his cab that Vincent is a contract hit man. Vincent's main goal, as per his current contract, is to kill five people, one at each of the stops, but he will not let others get in the way of that goal, even if it means killing them, including Max. As Vincent forces Max to continue driving him for the evening, Max tries slyly at every turn to take back control of his life from Vincent, especially when Max learns of one of the names on Vincent's hit list. Meanwhile, LAPD narcotics detective, Ray Fanning, and ultimately the FBI get involved when Vincent's first victim is associated with a case in which Ray is working undercover. Ray is able to piece together information which makes him hot on Max and Vincent's tail.

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Movie Reviews

Supercala.com - 10/10 by John VenableCruise and Foxx are great, and this is easily the most accessible Michael Mann film ever.
MovieCrypt.com - 10/10 by Kevin A. RansonWhile Cruise was clearly the draw, it is an unexpected Foxx that carries the film; Denzel Washington now has a reason to watch his Oscar-winning back.
Moviola - 10/10 by Jorge Avila Andrade'Mann logra un producto que si bien no es nada del otro mundo, su atmósfera y las actuaciones valen el precio de admisión'
Worcester Telegram & Gazette - 10/10 by Daniel M. KimmelCollateral" is lean and mean. From a frenetic shootout in one nightclub to deadly betrayal over drinks in another, Mann doesn't waste a moment.
Film Freak Central - 9/10 by Walter ChawAn audaciously empty-headed picture--Mann fiddling around with making a poem out of a sledgehammer.
ReelTalk Movie Reviews - 9/10 by John P. McCarthyA sleek and suprisingly substantive crime thriller.
Atlanta Journal-Constitution - 9/10 by Steve MurrayA thing of lean, cool beauty, the movie's a killer showcase for Foxx and Cruise.
South Florida Sun-Sentinel - 9/10 by Phoebe FlowersArguably the first film Mann has made that marries the painstaking style of Heat and Manhunter with the gripping substance of The Insider.
Hollywood.com - 9/10 by Kit BowenCollateral is an ultimate thrill ride through the mean streets of L.A., powered by a killer performance (pun intended) from Tom Cruise.
Cinema Signals - 9/10 by Jules BrennerA long nighttime ride with a hitman and a tight script that produces a dramatic punch at every third mile marker.

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