Cleopatra
Cleopatra

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In 48 B.C., Julius Caesar (Sir Rex Harrison) pursues Pompey from Pharsalia to Egypt. Pharaoh Ptolemy XIII (Richard O'Sullivan), now supreme ruler after deposing his older sister, Cleopatra VII (Dame Elizabeth Taylor), attempts to gain favor with Caesar by presenting the conquerer with the head of Pompey, borne by his governors, Pothinus (Grégoire Aslan) and Achillas (John Doucette). To win Caesar's support from her brother, Cleopatra hides herself in a rug, which Apollodorus... (Full plot summary below)

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Full Plot Details

In 48 B.C., Julius Caesar (Sir Rex Harrison) pursues Pompey from Pharsalia to Egypt. Pharaoh Ptolemy XIII (Richard O'Sullivan), now supreme ruler after deposing his older sister, Cleopatra VII (Dame Elizabeth Taylor), attempts to gain favor with Caesar by presenting the conquerer with the head of Pompey, borne by his governors, Pothinus (Grégoire Aslan) and Achillas (John Doucette). To win Caesar's support from her brother, Cleopatra hides herself in a rug, which Apollodorus (Cesare Danova), her servant, presents to Caesar. The Roman is immediately infatuated. Banishing Ptolemy, he declares Cleopatra Egypt's sole ruler and takes her as his mistress. A son, Caesarion (Loris Loddi), is born of their union. Caesar, however, must return to Italy. Although he is briefly reunited with Cleopatra during a magnificent reception for the Queen in Rome, Caesar is assassinated shortly thereafter, and Cleopatra returns to Egypt. When Mark Antony (Richard Burton), Caesar's protégé, beholds Cleopatra aboard her elaborate barge at Tarsus some years later, he is smitten and becomes both her lover and military ally. Their liaison notwithstanding, Antony, to consolidate his position in Rome, marries Octavia (Jean Marsh), sister of the ambitious Octavian (Roddy McDowall). The marriage satisfies no one. Cleopatra is infuriated, and Antony, tiring of his Roman wife, returns to Egypt. There he flaunts his liaison by marrying Cleopatra in a public ceremony. Sensing Antony's weakness, Octavian attacks and defeats his forces at Actium. Alarmed, Cleopatra withdraws her fleet and seeks refuge in her tomb.

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Movie Reviews

Austin Chronicle - 10/10 by Marjorie BaumgartenTaylor, Burton, and Harrison are sublime in this sweeping epic of love and nations.
IGN - 9/10 by Devin FaraciThe film is absolutely beautiful, with some of the most gorgeous sets and images ever committed to celluloid. The three main actors are just incredible - the first two hours are carried almost solely on Rex Harrison's charisma and screen presence. Later, Burton perfectly portrays a deeply flawed man who will do whatever is necessary for love. Elizabeth Taylor anchors the entire film.
The New Yorker - 8/10 by Richard BrodyMankiewicz’s Cleopatra is put together of the stuff of legend that the director experienced as personal reality, and he filmed the story as if he had been there. The film may be as close as Hollywood gets, outside the realm of Orson Welles, to a cinematic simulacrum of Shakespeare, less in its lucidly incisive, rhetorically reserved images than in its blend of coruscating language, rowdy comedy, and grand yet urgent and intimate performances.
The New York Times - 8/10 by Bosley CrowtherForget the length of time it took to make it and all the tattle of troubles they had, including the behavior of two of its spotlighted stars. The memorable thing about this picture is that it is a surpassing entertainment, one of the great epic films of our day. By virtue of brilliant staging, Mr. Mankiewicz keeps this well-known tale moving with visual excitements that increase the dramatic flow and give extraordinary insights into the characters.
The Guardian - 8/10 by Peter BradshawJoseph L Mankiewicz's four-hour Cleopatra is a stately but sometimes mindboggling spectacle. The central moment is the queen's jawdropping entry into Rome, for which Mankiewicz creates a sensational Busby Berkeley fantasy, like the world's biggest Olympic opening ceremony.
Time Out London - 6/10 by Trevor JohnstonThis super-gargantuan historical drama may not be much of a movie, but it delivers Hollywood spectacle of the sort we’ll never see again.
Slant Magazine - 5/10 by Chuck BowenCleopatra is, disappointingly, neither a visionary masterpiece nor a fascinating catastrophe, but something altogether more banal: an unusually intimate epic that falls very flat.
Empire - 4/10 by Ian NathanRunning at just over four hours, it is as spectacular, lush and extravagant as the studio would have liked its audience to believe. But it also has moments of mind-numbing boredom as the plot,– slowed by extraneous dialogue, drags from Egypt to Rome.
Chicago Reader - 4/10 by Dave KehrWriter-director Joseph L. Mankiewicz (All About Eve) was brought in to salvage the runaway production (with the cost adjusted for inflation, it may still qualify for the title of Most Expensive Movie Ever Made); though his name stands alone on the credits, a lot of other hands contributed to the general muddle.
User Review - 10/10 by BitashSpectacular! I am so impressed with production, the details in the set design and costumes. It’s just a big WOW. I loved it so much, I can rewatch it again. Richard Burton was so on point, so believable. I have a different view on Liz Taylor after watching this. She did a great job as Celopatra, looked beautiful in every of her 65 costumes. Knowing that there was no CGI at that time, that every shot is real, you will be impressed through out the whole movie. It’s a classic worth even purchasing the DVD. Hollywood cannot remake this, this is it.

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