On a business trip to the Cannes Film Festival, Manhee is accused of being dishonest, and fired. A teacher named Claire goes around taking photos with a Polaroid camera. She gets to know Manhee and sympathizes with her. Claire is like a person who can see Manhee's possible future or past selves, through the mysterious power of the beach tunnel. Through taking photos, Claire has acquired the ability to look slowly at things, and to transform objects. Now, Claire goes with Manh... (Full plot summary below)
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On a business trip to the Cannes Film Festival, Manhee is accused of being dishonest, and fired. A teacher named Claire goes around taking photos with a Polaroid camera. She gets to know Manhee and sympathizes with her. Claire is like a person who can see Manhee's possible future or past selves, through the mysterious power of the beach tunnel. Through taking photos, Claire has acquired the ability to look slowly at things, and to transform objects. Now, Claire goes with Manhee to the café where she was fired. We look forward to seeing Claire's power at work.
Leave your thoughts about Claire's Camera.
| Washington PostAnn HornadayIn a mesmerizing series of images, encounters and delicate juxtapositions, Cameraperson testifies to a world in which it would be clear to see that we’re all connected, if only we took the time to look at one another with reverence and simply listen. |
| The PlaylistKatie WalshHumanity permeates Cameraperson, thanks to Johnson’s presence, so as experimental as it is, it’s also stirring and poignant, with a tangible sense of empathy intact in every frame. |
| The Globe and Mail (Toronto)John SemleyFilm, not film, whatever it is, Cameraperson plays like a study not only of cinema itself, but a warm, welcome reminder that there is (ideally) an intelligence, and maybe even a bit of grace, behind the moving images that wedge themselves in our memory; that they are the handiwork of a living, thinking, feeling, sneezing human being, someone who is both camera and person. |
| The New York TimesA.O. ScottCameraperson isn’t a work of journalism or advocacy. It’s a scrapbook, a found poem assembled out of scraps and snippets of truth. And it is, above all, an act of showing rather than telling. |
| Los Angeles TimesJustin ChangFor Huppert, most celebrated for her uncompromising severity in films like "Elle" and "The Piano Teacher," the movie is an opportunity to cut gloriously loose; no less than Claire herself, she seems to be enjoying her holiday. |
| Village VoiceBilge EbiriFor all its airy lightness and apparent simplicity, it’s hard not to watch Claire’s Camera and sense beneath its placid surfaces the fretful voice of a filmmaker who longs to return to the elements of his art. |
| RogerEbert.comMatt Zoller SeitzThe collage film Cameraperson is one of the most original, challenging, sometimes infuriating documentaries of recent times. |
| The PlaylistBradley WarrenIf Hong is often a filmmaker who can be accused of making the same movie over and over again, this latent muse brings a veritable freshness to his output by offering an emotional gravity that hadn’t significantly figured into his creative sphere. |
| The New YorkerRichard Brody[Hong's] tightrope-long takes of scenes filmed in settings ranging from the picturesque to the banal (restaurants and apartments, café terraces, Mediterranean beaches) have an intricate dramatic construction, replete with glittering asides and wondrous coincidences, to rival that of a Hollywood classic. |
| The New York TimesGlenn KennyMs. Huppert’s presence — steady, warm, thoughtful but with a casual air — keeps the entire enterprise classically comedic. |
