Three Colors: Blue
Three Colors: Blue

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- 79/100 based on 107,054 votes

The first part of Kieslowski's trilogy on France's national motto: Liberty, Equality, and Fraternity. 'Blue' is the story of Julie who loses her husband, an acclaimed composer and her young daughter in a car accident. The film's theme of liberty is manifested in Julie's attempt to start life anew, free of personal commitments, belongings, grief or love. She intends to numb herself by withdrawing from the world and living completely independently, anonymously and in solitude i... (Full plot summary below)

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Actors in Three Colors: Blue:

Juliette Binoche
Benoît Régent
Florence Pernel
Charlotte Véry
Hélène Vincent
Philippe Volter

Full Plot Details

The first part of Kieslowski's trilogy on France's national motto: Liberty, Equality, and Fraternity. 'Blue' is the story of Julie who loses her husband, an acclaimed composer and her young daughter in a car accident. The film's theme of liberty is manifested in Julie's attempt to start life anew, free of personal commitments, belongings, grief or love. She intends to numb herself by withdrawing from the world and living completely independently, anonymously and in solitude in the Parisian metropolis. Despite her intentions, people from her former and present life intrude with their own needs. However, the reality created by the people who need and care about her, a surprising discovery and the music around which the film revolves heal Julie and draws her back to the land of the living.

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Movie Reviews

CineVue - 10/10 by Patrick GambleLike delving into a cold cave of human emotion, Three Colours: Blue is the jewel in the crown of Kieślowski’s trilogy – a fascinating examination of freedom, sorrow and identity, and perhaps one of the most necessary films of contemporary French cinema.
Los Angeles Times - 10/10 by Kenneth TuranDaring in its willingness to risk looking maudlin by dealing with extremes, Blue doesn't hesitate to explore spiritual and psychological states that are beyond many films.
Washington Post - 10/10 by Hal HinsonFor Kieslowski, subtlety is a religion. He hints or implies -- anything to keep from laying his cards on the table. With "Blue," you never feel he's shown his whole hand; not even after the game is over.
The Guardian - 10/10 by Peter BradshawThere is a wonderful reach and flair in Kieślowski’s film-making.
Empire - 10/10 by Marcus TrowerWhat lifts it out of the doldrums is Kieslowski's fascinating use of reflections, focusing techniques and camera angles to give the somewhat pedestrian material a profound and otherworldly East European feel.
Chicago Sun-Times - 9/10 by Roger EbertThink of how we read the thoughts of those closest to us, in moments when words will not do. We look at their faces, and although they do not make any effort to mirror emotions there, we can read them all the same, in the smallest signs. A movie that invites us to do the same thing can be very absorbing.
Austin Chronicle - 9/10 by Marjorie BaumgartenBlue is a movie that engages the mind, challenges the senses, implores a resolution, and tells, with aesthetic grace and formal elegance, a good story and a political allegory.
ReelViews - 9/10 by James BerardinelliAs rich in emotional impact as in style, this motion picture sets a high standard that we as viewers can only hope the other two chapters of the trilogy will match.
Variety - 8/10 by Lisa NesselsonBold final sequence is a visual and aural crescendo calibrated to show that while each person is fundamentally alone, every life inevitably touches other lives.
The Guardian - 8/10 by Derek MalcolmThe film is almost totally schematic and this weakens it. What strengthens it is the sheer emotional power of its making.

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