
In 1981, young Issei Sagawa of Japan murdered a Dutch student in Paris and ate part of his body. Declared mentally ill, he did not face a normal trial, and after spending two years in a French clinic, he returned to Japan. There he wrote a book, published a manga about his crime and even appeared in pornography. In an attempt to unravel the dark motives that led him to cannibalism, the anthropologists and film-makers Véréna Paravel and Lucien Castaing-Taylor perform in 'Can... (Full plot summary below)
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In 1981, young Issei Sagawa of Japan murdered a Dutch student in Paris and ate part of his body. Declared mentally ill, he did not face a normal trial, and after spending two years in a French clinic, he returned to Japan. There he wrote a book, published a manga about his crime and even appeared in pornography. In an attempt to unravel the dark motives that led him to cannibalism, the anthropologists and film-makers Véréna Paravel and Lucien Castaing-Taylor perform in 'Caniba', their third full-length film, an atypical and sensory portrait of Sagawa, who more than thirty-five years after the events in Paris, lives suffering a paralysis that keeps him partially immobilized.
Leave your thoughts about Caniba.
| CineVueChristopher MachellCaniba offers no trite explanations or condemnations of Sagawa. Instead, we are offered a small window into his reality. |
| 4:3Kenta McGrathThe film is content to depict Sagawa's morbid fascinations in a bold and unconventional way, rather than question its own; it's easier to feel and sense than to try to understand. |
| Ozus' World Movie ReviewsDennis SchwartzA weirdo documentary based on a true story of modern-day cannibalism. |
| Slant MagazinePeter GoldbergThroughout Caniba, there's a singularly disquieting relationship between the filmmakers' formal experimentation and their subject. |
| NOW TorontoKevin RitchieCaniba is a cinematic rarity for a number of reasons, but most of all because it examines the topic in a modern context and with a formalism as extreme as its subject. |
| New York TimesGlenn KennyI consider Sagawa repellent, and the movie an exercise in intellectualized scab-picking. |
| Bangkok PostKong RithdeeOne of the hardest films to watch this year, Caniba is also an intense and strangely engaging experience where art, life, horror and film intersect and move as one. |
| The Daily BeastRichard PortonCaniba, like most avant-garde films, refuses to be reductive and, to the frustration of many critics and audience members, leaves definitive interpretations up to the audience. |
| Cinema ScopeDan SullivanCaniba may be tough to take in, but you'd have a difficult time finding another film that contains this much fascinating and terrible humanity. |
| Film InquiryTomas TrussowConfrontational cinema is an understatement when it comes to Caniba; it's more disturbing than any run-of-the-mill documentary about Sagawa to date. |