
British punk duo Sleaford Mods have been called "the voice of Britain" by their fans, "Britain's angriest band" by the Guardian and "The world's greatest rock 'n' roll band" by Iggy Pop. "Bunch of Kunst" follows them on their two-year journey from Nottingham bedroom recording sessions to chart success.... (Full plot summary below)
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British punk duo Sleaford Mods have been called "the voice of Britain" by their fans, "Britain's angriest band" by the Guardian and "The world's greatest rock 'n' roll band" by Iggy Pop. "Bunch of Kunst" follows them on their two-year journey from Nottingham bedroom recording sessions to chart success.
Leave your thoughts about Bunch of Kunst - A Film About Sleaford Mods.
| Time OutTom HuddlestonThis unpretentious rock-doc follows Sleaford Mods through their breakthrough year of 2015, from pub backrooms to Glastonbury and beyond. |
| Total FilmKevin HarleyIggy Pop's droll cameo and the Mods' affable humour make a thrillingly unlikely success story more appealing still. |
| GuardianPeter BradshawI'm afraid that national treasure status is Jason's whether he wants it or not. |
| ScotsmanAlistair HarknessThere's a real sense of lightning being captured in a bottle here, and the guys - along with Williamson's no-nonsense wife - are just great company. |
| Radio TimesJamie HealyJust like the Sleafords themselves, Christine Franz's film is unpretentious and unfiltered, and it brilliantly captures the momentum and excitement of a band as they make their breakthrough. |
| Little White LiesEve WatlingIt's impossible not to root for these unexpected rock stars. |
| HeyUGuysJon LyusThe success of this film falls on the fact that it manages to give fans a precious peek behind the curtain, whilst also not limiting the appeal to them and them alone. |
| CineVueTom DugginsBunch of Kunst refuses to do any navel-gazing or indulge in the possibility of anti-star posturing: it's a matter-of-fact documentation of how a few middle-aged blokes finally get some traction and hard-won acclaim. |
| Times (UK)Ed PottonChristine Franz's film is overlong and, like many music documentaries, slightly overstates the importance of its subject. However, it captures the mundanity of their working-class background [and] the intensity of their live shows. |
| Goethe-Institute Australien MagazineSarah WardA probing, potent and propulsive celebration for the already acquainted and a lure for the uninitiated. |