Bram Stoker's Dracula
Bram Stoker's Dracula

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- 74/100 based on 227,804 votes

This version of Dracula is closely based on Bram Stoker's classic novel. Young barrister Jonathan Harker is assigned to a gloomy village in the mists of eastern Europe. He is captured and imprisoned by the undead vampire Dracula, who travels to London, inspired by a photograph of Harker's betrothed, Mina Murray. In Britain, Dracula begins a reign of seduction and terror, draining the life from Mina's closest friend, Lucy Westenra. Lucy's friends gather together to try to driv... (Full plot summary below)

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Actors in Bram Stoker's Dracula:

Gary Oldman
Winona Ryder
Anthony Hopkins
Keanu Reeves
Sadie Frost
Cary Elwes

Full Plot Details

This version of Dracula is closely based on Bram Stoker's classic novel. Young barrister Jonathan Harker is assigned to a gloomy village in the mists of eastern Europe. He is captured and imprisoned by the undead vampire Dracula, who travels to London, inspired by a photograph of Harker's betrothed, Mina Murray. In Britain, Dracula begins a reign of seduction and terror, draining the life from Mina's closest friend, Lucy Westenra. Lucy's friends gather together to try to drive Dracula away.

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Movie Reviews

Seattle Post-Intelligencer - 10/10 by William ArnoldFrancis Ford Coppola's lavish version of Bram Stoker's classic novel is a visual cornucopia, overstuffed with images of both beauty and grotesque horror.
Austin Chronicle - 8/10 by Marc SavlovInterestingly, Coppola has eschewed state-of-the-art special effects in favor of a panoply of archaic film-school tricks -- reversing the film, multiple exposures, playing with the shutter speed -- that give his Dracula a stylized, almost hyper-real clarity and a wonderfully singular weirdness.
Chicago Sun-Times - 8/10 by Roger EbertOldman and Ryder and Hopkins pant with eagerness. The movie is an exercise in feverish excess, and for that if for little else, I enjoyed it.
The Guardian - 8/10 by Peter BradshawThis Dracula isn’t from Coppola’s great 70s/80s period, but it has a melodramatic and operatic energy and draws on the look and feel of Hollywood’s pre-Code salaciousness and the silent movie madness of Nosferatu – though the expressionist shadows are blood-red, not black.
The Globe and Mail (Toronto) - 8/10 by Jay ScottDracula has the nervy enthusiasm of the work of a precocious film student who has magically acquired a master's command of his craft. It's surprising, entertaining and always just a little too much.
Washington Post - 7/10 by Desson HoweIt's sexy and bloody and, to my amazement, R-rated, but in a stylized, Grand Kabuki manner that lifts the action (including the sex and violence) from our normal sphere of reality to the realm of timeless, primal tales.
Chicago Reader - 7/10 by Jonathan RosenbaumFrancis Coppola's ambitious 1992 version brings back the novel's multiple narrators, leading to a somewhat dispersed and overcrowded story line that remains fascinating and often affecting thanks to all its visual and conceptual energy.
Time - 7/10 by Richard CorlissCoppola brings the old spook story alive -- well, undead -- as a luscious, infernal romance.
Variety - 6/10 by Todd McCarthyFrancis Ford Coppola's take on the Dracula legend is a bloody visual feast. Both the most extravagant screen telling of the oft-filmed story and the one most faithful to its literary source, this rendition sets grand romantic goals for itself that aren't fulfilled emotionally, and it is gory without being at all scary.
Chicago Tribune - 6/10 by Gene SiskelDracula, which also stars Winona Ryder, Keanu Reeves and Anthony Hopkins, is an evocative visual feast. But the meal is spectral, without the dramatic equivalent of nutritional value.

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