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Leave your thoughts about Bottoms.
| IndieWireRafael MotamayorBottoms is an ambitious sophomore feature from a director who is just getting started, one that can craft both a hilariously surreal teen sex comedy and marry it with one hell of an eye for action sequences. |
| ObserverLaura BabiakBottoms is a brilliantly bizarre movie that pushes boundaries and packs a punch—literally. |
| The Film VerdictAlonso DuraldeSeligman and Sennott, reteaming after Shiva Baby, clearly know the beats and tropes of the teen comedy while taking every opportunity to subvert the formula. Bottoms always opts for the weirdest choices and least expected outcomes. |
| The Film StageJake Kring-SchreifelsWhat would a high school movie look like if its queer characters ended up as jock-slamming, hierarchy-upending heroes? Bottoms is this year’s righteously indignant, big-swing answer. |
| Film ThreatAlan NgBottoms falls right in my wheelhouse of comedy. Be offensive and don’t care about offending anyone. Bottoms goes after everyone without apology. It’s what comedy used to be; we’ve strayed so far off the path in the last ten years. There’s no place to play it safe in comedy. We need to return to this form of comedy oh so badly. |
| New York Magazine (Vulture)Alison WillmoreIf anything, I wanted Bottoms to be even more anarchic. . . As is, it’s still a great — and audacious — time. |
| VarietyOwen GleibermanBottoms is unlike any high-school comedy you’ve ever seen. It’s a satire of victimization, a satire of violence, and a satire of itself. It walks a tightrope between sensitivity and insanity (with a knowing bit of inanity), and it’s full of moments that are defiantly what we once used to call incorrect. |
| Rolling StoneDavid FearWhat Seligman, Sennott and Edebiri have given us is nothing less than a Heathers for this generation. It hits you, and it feels like a kiss. |
| Austin ChronicleLina FisherI could say Bottoms shines because it nods to nostalgia but feels totally of our time, or expertly inhabits the buddy comedy genre formula while providing its own absurdist twist – but most importantly, it is simply, joyfully, ridonkulous. |
| Boston GlobeOdie HendersonBottoms has a devil-may-care approach to its satire that might have made Jonathan Swift proud. Director Emma Seligman, who co-wrote the script with this film’s star, Rachel Sennott, are unconcerned about offending audiences. If you’ve seen their last film, the 2021 cringe comedy, “Shiva Baby,” you know what you’re in for here. |
