
Nearly 5,000 years after he was bestowed with the almighty powers of the Egyptian gods-and imprisoned just as quickly-Black Adam (Johnson) is freed from his earthly tomb, ready to unleash his unique form of justice on the modern world.... (Full plot summary below)
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Nearly 5,000 years after he was bestowed with the almighty powers of the Egyptian gods-and imprisoned just as quickly-Black Adam (Johnson) is freed from his earthly tomb, ready to unleash his unique form of justice on the modern world.
Leave your thoughts about Black Adam.
| RogerEbert.comMatt Zoller SeitzDirected by Jaume Collet-Serra, and featuring a remarkable lead performance by Dwayne Johnson, the spiky and majestic Black Adam is one of the best DC superhero films to date. |
| ColliderRoss BonaimeBlack Adam isn’t a full-on course correction for the DCEU, but it is an encouraging new installment in this larger universe. Collet-Serra knows how to present this darkness and antihero in a way that’s effective, while also fleshing out one of the most promising additions to DC’s ever-expanding cadre of characters. |
| ConsequenceLiz Shannon MillerOn its own merits, Black Adam might feel a little thin in terms of story, but it does deliver plenty of enjoyable moments and a solid ensemble to back up Johnson. But perhaps the most exciting aspect of it is how it might shake up the rest of the franchise going forward. |
| Film ThreatAlan NgIf you like action, then you’re going to have fun, but this is by no means a perfect movie and doesn’t stack well against old-school MCU (everything up to phase three). Its weakness lies in the by-the-book story and does nothing to overcome the superhero fatigue we’ve been feeling for a while. |
| Screen DailyTim GriersonThe latest instalment in the DC Extended Universe too often succumbs to the conventions of its genre — it’s a film suffused with hokey punchlines and predictably gaudy action set pieces — but some compelling performances and director Jaume Collet-Serra’s ebullient B-movie flourishes prove to be sufficient compensation. |
| The TelegraphTim RobeyThe film has whizz, and bang, and you’ll forget it by tomorrow. |
| Slant MagazineJake ColeThe film has the courage of its convictions, suggesting that violence on behalf of an oppressed people isn’t only justifiable but even moral. |
| The Associated PressMark KennedyDirector Jaume Collet-Serra and the design team do a great job in every department but are let down by a derivative and baggy screenplay by Adam Sztykiel, Rory Haines and Sohrab Noshirvani that goes from one violent scene to another like a video game in order to paper over a plot both undercooked and overcooked. |
| Washington PostMichael O'SullivanMake no mistake: Black Adam proceeds with predictable action sequences, tiresome fight scenes and the now-requisite sacrifice of a major character. But it’s that seasoning of radical politics — the theme, expressed in the film as a question of whether freedom fighters should have to play by the rules of war — that gives it a bit of spice. Whether that’s enough to set Black Adam apart in a world that already arguably has too many superhero movies, is unclear. |
| VarietyPeter DebrugeThe surprisingly serious-minded (but still plenty pulpy) project deprives Johnson of his greatest superpower — his sense of humor — while giving the now-straight-faced star a chance to play a character with some interesting contradictions. |