17th-century Tuscany, Italy. As the sinister threat of the Plague looms over Europe, the sincerely devout eight-year-old novice, Benedetta Carlini, is brought into the Theatine Convent of the Mother of God in Pescia as a bride for Jesus Christ. Eighteen long years later, as ominous whispers of disputable miracles scandalise the cloistered sisters, a test of faith awaits deeply pious Benedetta in the shape of bruised, abused, and earthly Bartolomea: a young woman fleeing her v... (Full plot summary below)
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17th-century Tuscany, Italy. As the sinister threat of the Plague looms over Europe, the sincerely devout eight-year-old novice, Benedetta Carlini, is brought into the Theatine Convent of the Mother of God in Pescia as a bride for Jesus Christ. Eighteen long years later, as ominous whispers of disputable miracles scandalise the cloistered sisters, a test of faith awaits deeply pious Benedetta in the shape of bruised, abused, and earthly Bartolomea: a young woman fleeing her violent father. Now, while under the vigilant eye of cynical Abbess Felicita, fleeting glimpses of the forbidden fruit invite a tentative intimacy, ungovernable desires, and intense diabolical obsessions in, and suddenly, the holy signs of faith are manifest in Sister Benedetta's body. But, few can wrestle with guilt and emerge unscathed. Is there an escape from sin when the flesh is the enemy?
Leave your thoughts about Benedetta.
| San Francisco ChronicleMick LaSalleBenedetta continues Verhoeven’s strong run with as good a movie as he’s ever made. |
| BBCNicholas BarberFar from being a steamy nun-sploitation thriller about women with bad habits – well, it's partly that, to be honest – Benedetta is a substantial, sophisticated, yet briskly paced and always highly entertaining drama, which balances quiet scenes of shrewd backroom politicking with lurid scenes of wild religious madness. |
| UproxxVince ManciniBenedetta is the rare, almost miraculous, really, two-hour-plus movie (131 minutes, to be precise) that only seems to get better in its second hour. The momentum builds and builds until the action comes to a glorious crescendo. |
| TheWrapBen CrollYou can’t call a film as lurid and alive as Benedetta a closing statement, but there is something valedictory about the erotic religious drama, which finds time to explore questions of voyeurism, sadism, masochism, systems of power, perversion, repression, rebellion, storytelling, divinity, irony and belief. Oh, and sex — plenty and plenty of nun-on-nun sex. |
| SlashfilmJason GorberThis is a tonally rich, libidinously powerful, and psychologically complex tale told by a master filmmaker equally at ease with European art-film conventions and B-movie hijinks. It’s this exceptional balance between the profane and the profound that sets Benedetta apart, truly proving to be penetrating in its effect in more ways than one. |
| Paste MagazineNatalia KeoganThe carnal Catholicism which permeates the film is at this point to be expected from the 83-year-old Dutch filmmaker—but equally so is the film’s ability to utilize eroticism as a vehicle to examine pain, paranoia and power. |
| The Globe and Mail (Toronto)Barry HertzWhile Benedetta the woman may have been touched by Heaven or cursed from Hell or neither, Benedetta the film is undoubtedly a miracle. |
| Los Angeles TimesJustin ChangVerhoeven clearly wants us to laugh; the movie’s a gas. But he doesn’t mind if we think too — about the earthy realities of the body, the higher abstractions of the soul and all the thornily ambiguous ways they do and don’t connect. |
| PolygonJoshua RiveraProvocative in every sense of the word, the movie is equally capable of drawing viewers in with its witty study of sexuality and faith, and turning them away with its unabashed titillation. In this film, as in many of Verhoeven’s previous works, those two opposing forces are very much the point. |
| Wall Street JournalJoe MorgensternThis is a significant addition to the Verhoeven canon, meaning it’s elegantly crafted, formidably well performed and as fascinating as it is lurid. |
