
Approaching age sixty, Daphne Wilder divorced when she was young, has not dated since, and has raised on her own and has fostered a close, loving relationship with her three daughters, Maggie, Mae and Milly, she now assisting Milly in her successful catering business. Daphne was mother of the bride for a first time at Maggie's wedding, and a second time at Mae's wedding, but she fears there won't be a third and final time for a Milly wedding in insecure Milly attracting only ... (Full plot summary below)
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Approaching age sixty, Daphne Wilder divorced when she was young, has not dated since, and has raised on her own and has fostered a close, loving relationship with her three daughters, Maggie, Mae and Milly, she now assisting Milly in her successful catering business. Daphne was mother of the bride for a first time at Maggie's wedding, and a second time at Mae's wedding, but she fears there won't be a third and final time for a Milly wedding in insecure Milly attracting only who seem to be the wrong men. Not wanting Milly to turn into another "alone" version of herself at age sixty, Daphne, without telling any of her daughters let alone Milly, decides to take matters into her own hands by placing a personal ad for a potential mate for Milly. Scheduling all seventeen interviews in succession at a restaurant, Daphne finds the ad has attracted one "loser" after another, until she reaches number seventeen, Jason, an architect who is handsome and seems smart, well-bred, successful and forward thinking about his life. The two arrange for Jason to meet Milly by "accident". What Daphne does not anticipate is that there ends up being a number eighteen, Johnny, who witnessed the interviews from the sidelines as the guitarist performing at the restaurant, and while Johnny did approach Daphne in his interest in meeting Milly from what he heard of the interviews, she immediately dismissed him solely because he is a musician and thus irresponsible by nature, much like her ex-husband. In their accidental meetings, Milly embarks on a relationship with both Jason and Johnny concurrently, and upon learning about Johnny in the picture, Daphne starts pushing Jason as the favored one to Milly. Beyond Milly, Jason and Johnny's own thoughts about their two relationships, the two men who know nothing about the other being in Milly's life, a question becomes how Milly eventually learning about the ad, an inevitability, will factor into what happens, not only about Milly's love life but her relationship with her mother. In helping Milly with her love life and only fostered by watching old Gary Cooper movies, Daphne may dredge up latent feelings of romance of her own, it which she may find in the most unlikely of places.
Leave your thoughts about Because I Said So.
| EmanuelLevy.ComEmanuel LevyIt's almost hard to believe that this bland, fluffy, two-generational chick flick is helmed by the same director who 20 years ago gave us Heathers, one of the brightest and sharpest femme-driven high-school satires. |
| One Guy's OpinionFrank SwietekIt's appropriate that much of Because I Said So is set in a bakery, because even in a sea of awful chick flicks, this appalling confection takes the cake. |
| Seattle Post-IntelligencerWilliam ArnoldIt's hard to imagine how the movie year could possibly produce a more annoyingly stupid movie. It's so witless, broadly played and insulting to anyone's intelligence that it's almost as offensive, in its own way, as "Jackass: The Movie." |
| Globe and MailStephen ColeA 105-minute cringe-a-thon that reduces the Katharine Hepburn of her generation to a sitcom harpy presiding over a brood of Valley Girl chicks. |
| WORLD Megan BashamIn the end, while the mixture looks sweet, it goes down decidedly sour. |
| ReelViewsJames BerardinelliDespite being rooted firmly in "chick flick" territory (with a high "cuteness" index), it has the capacity to please to viewers of both genders who appreciate the genre. |
| Sun Publications (Chicago, IL)Josh Larsen...Keaton kneads the part until it begins to resemble a human being. |
| New York ObserverRex ReedThe entire project seems like a diabolical conspiracy to destroy one of the few icons we've got left, but luckily that's where it fails most of all. |
| Planet Sick-BoyJon PopickI spent the bulk of the running time thinking of creative ways for the characters to be murdered. |
| CNN.comTom CharityRecycling every cliche in the rom-com handbook, it's clear from the very first that Lehmann has sacrificed his characters on the altar of sappy endings. What a waste -- for everybody. |