
Jilted by his girlfriend, "Jeanie-Weenie," Oliver joins the Foreign Legion to forget, bringing Stanley along with him. They wilt under the scorching desert sun and under the harsh discipline of the Commandant. On a long march to reinforce remote Fort Arid, the boys get lost in the sands, finally reaching the Fort only to find it besieged by the fearsome Riffs.... (Full plot summary below)
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Jilted by his girlfriend, "Jeanie-Weenie," Oliver joins the Foreign Legion to forget, bringing Stanley along with him. They wilt under the scorching desert sun and under the harsh discipline of the Commandant. On a long march to reinforce remote Fort Arid, the boys get lost in the sands, finally reaching the Fort only to find it besieged by the fearsome Riffs.
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| User ReviewSimon DLaurel and Hardy join the French Foreign Legion to forget Hardy's lost love Jeanie Weanie (Jean Harlow!). Some very funny stuff in this, which was later remade as a feature called "The Flying Deuces". |
| User ReviewWilliam WGoes after its subject with a surprisingly straight face. A stern CO plays his part with exactly the same tremulous rage and melodrama you'd have probably got in a straight drama of the time; the scenes of marching in the desert - complete with convincing-looking sandstorm - are shot as though verite-style; and the overtones of life and death (it's the only L&H short I'm aware of where supporting characters actually perish) rather takes the edge off the funny, although its unit of shoeless, Allah-praising Riffs - undone, finally, by a barrelful of tacks - suggests an entirely innocent, Bash Street-level view of international conflict. Anyone who thought these things were solely concerned with finding new ways to set a fat man to falling over (and his cohort to impotent tears) should study the opening barrage of verbal gags involving "levity" and "synonym", or Stan's definition of a dromedary as "a thing that eats dates" - though, in one still-astonishing stunt, Ollie is propelled across his own parlour by a butt-mounted spring, landing atop the flowers on the piano at which he's just been singing his lovestruck heart out: the destruction, in this instance, providing as eloquent an image of crushed hopes as these shorts ever arrived at. |