Barfly
Barfly

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- 71/100 based on 21,333 votes

Henry Chinaski never cared for the American dream, the thought of needing to become 'something' and fit into the system disgusts him. He believes that life is free and yours to live like you see fit, and if that in some cases involves copious amounts of whiskey then so be it. Henry spends his days drinking and listening to the radio, and he spends his nights drinking and fighting against Eddy who he thinks personifies shallowness and shameless self promoting. Sometimes in the... (Full plot summary below)

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Full Plot Details

Henry Chinaski never cared for the American dream, the thought of needing to become 'something' and fit into the system disgusts him. He believes that life is free and yours to live like you see fit, and if that in some cases involves copious amounts of whiskey then so be it. Henry spends his days drinking and listening to the radio, and he spends his nights drinking and fighting against Eddy who he thinks personifies shallowness and shameless self promoting. Sometimes in the middle of this he finds the time to jot down a few lines of poetry or a short story. After fighting Eddy and winning for a change Henry is thrown out of his regular bar where Eddy is a bartender. This leads him to seek another watering hole where he happens to find Wanda who is a barfly, in her own words "if another man came along with a fifth of whiskey, I'd go with him". Henry is not fazed by this thou and moves in with her. Of course Wanda immediately goes off and sleeps with Eddy, but after some clothes throwing and two visits from the paramedics Henry and Wanda manage to patch up their relationship. Then Henry gets a visit from a literary agent who has decided to publish one of his stories that he sent in because he "liked the name of the mag". He follows the agent home to her place in order to receive his payment and with the help of a little whiskey sleeps with her. When he leaves to go back to the bar and back to Wanda the agent is heartbroken, she sees something special in Henry and has fallen in love with him. She follows him to his usual bar and gets into a cat fight with Wanda that Wanda wins. In celebration of new found love, happiness and money Henry buys a round for everyone at the bar and toasts them "to my friends!

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Movie Reviews

Chicago Sun-Times - 10/10 by Roger EbertA truly original American movie, a film like no other, a period of time spent in the company of the kinds of characters Saroyan and O'Neill would have understood, the kinds of people we try not to see, and yet might enjoy more than some of our more visible friends.
Miami Herald - 9/10 by Bill CosfordBarfly has few peers when it comes to pitch-black comedies of ill manners.
Los Angeles Times - 9/10 by Michael WilmingtonThis seedy Barfly is beautifully written, acted and directed. It may be full of dank desire, wasted love and jesting misery--but it blooms. Whatever its flaws, it does something more films should do: It opens up territory, opens up a human being.
Washington Post - 8/10 by Desson ThomsonA highly watchable slice-of-low-life entertainment. If this isn't her best role, it's Dunaway's gutsiest.
The New York Times - 8/10 by Vincent CanbyThough it's set within the world of the seriously down-and-out in Los Angeles and is about people who are at the end of their ropes, Barfly somehow manages to be gallant and even cheerful. It has an admirably lean, unsentimental screenplay by Charles Bukowski, the poet laureate of America's misbegotten.
The Globe and Mail (Toronto) - 8/10 by Jay ScottAfter one scummy role after another, Rourke finally stops taking himself so seriously. Instead of the usual Neanderthal, he treats us to a sensitive, likable blob with a sense of humor.
Nick's Flick Picks - 7/10 by Nick DavisAs I write about Barfly, I do seem to be talking myself into greater admiration for it, or at least into a sense of welcome design beneath its superficial inertia.
Spirituality and Practice - 6/10 by Frederic and Mary Ann BrussatAn audacious movie about skid-row existentialism.
EmanuelLevy.Com - 6/10 by Emanuel LevyMickey Rourke gives a splendid performance as Bukowski's alter ego, the boozy, offbeat and eccentric writer, and he also brings the best out of Faye Dunaway as his unstable companion.
Chicago Tribune - 5/10 by Gene SiskelO'Rourke acts way over the top; Dunaway is more effective because she seems more desperate. Both characters are the kind of people who want to be left alone. That's what you may feel like after you spend a few minutes with them in one long brawl after one long argument after one long soliloquy.

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