In October 2002, twenty-four year old Michael Sullivan moves from a job in lobbying to one in the diplomatic corps at the UN, he getting the job despite he feeling the interview having gone badly. He comes from a family of diplomats with both his father and his older sister having served - the former who was killed in 1983 in the US Embassy bombing in Beirut - and thus feels it is in his blood, his hope to make some difference in the world. He is assigned to be the assistant ... (Full plot summary below)
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In October 2002, twenty-four year old Michael Sullivan moves from a job in lobbying to one in the diplomatic corps at the UN, he getting the job despite he feeling the interview having gone badly. He comes from a family of diplomats with both his father and his older sister having served - the former who was killed in 1983 in the US Embassy bombing in Beirut - and thus feels it is in his blood, his hope to make some difference in the world. He is assigned to be the assistant to Costa Pasaris - Pasha - the Undersecretary to the Oil for Food program, the largest ever humanitarian program in the organization. The program is to have Iraqi oil sold at market value with no proceeds going to the regime of Saddam Hussein, in exchange for food and medicine to the Iraqi populace who have suffered under that regime in Hussein filling his own coffers instead. Pasha quickly begins to see Michael as a trusted and valuable aide for the program, particularly against naysayers, especially internal ones such as the Field Director in Iraq, Christina Dupre, who believes the program is rampant with corruption. Michael does sees signs of corruption within the program while in Baghdad, such as the hospitals and medical clinics in Iraq being provided expired and thus useless medications. But it isn't until he begins to trust his Iraqi interpreter, Nashim Hussani, that he begins to believe that there are bigger issues at play, including the fate of his predecessor, who he knows was killed in a car accident, but who Nashim implies was murdered for information he possessed about the program. Michael has to decide who to trust with conflicting information from Nashim and Pasha. When Michael finally comes to the realization of what is happening, he has to decide how best to exact justice and change regardless of the repercussions on his diplomatic career.
Leave your thoughts about Backstabbing for Beginners.
| CinemalogueTodd JorgensonAlthough the narrative momentum lags in spots, the film takes advantage of strong performances and captures its inherent moral complexity without turning didactic or heavy-handed. |
| Shockya.comHarvey S. KartenDigs deep into the corruption of one UN program. |
| Los Angeles TimesMichael RechtshaffenAlthough James' muted performance comes across as a bit lifeless alongside Kingsley's more colorful, masterfully modulated turn, the characterizations nevertheless allow for satisfyingly complex, real-world renderings of conventional heroes and villains. |
| AXS.comTom SantilliBen Kingsley - who is always great - does some scenery-chewing as Soussan's more experienced boss, but even Kingsley's presence isn't enough to make things work. |
| VarietyJessica KiangIt’s to the film’s credit that it creates a sense of high-stakes peril despite us knowing the rough outcome from the get-go, and largely without simplifying its moral dilemmas into straightforward choices between heroism and villainy. |
| Detroit NewsAdam GrahamIt fails to make its subject matter interesting. |
| AARP Movies for GrownupsTim AppeloKingsley almost convinces you that losing 35 percent to corruption is just "the growing pains of a new democracy." |
| Movie NationRoger Moore"Backstabbing” makes an interesting run at painting the many shades of grey in this corner of diplomacy. |
| New York ObserverRex ReedThere are so many ideas rattling around in Backstabbing for Beginners that are never resolved, and so many duplicitous characters that are never satisfactorily explained, that the end result is a muddle of confusion and violence that could end the future of tourism in Baghdad forever. |
| The Hollywood ReporterFrank ScheckThe most thrilling aspect of director Per Fly's drama is watching the interactions between co-stars Theo James and Ben Kingsley. Even as James sucks all the energy out of the room with his inert performance, Kingsley creates oxygen with his dynamic, wildly entertaining turn. |
