Asher (Ron Perlman) is a contract killer who's spent the better part of his life ending other lives, taking orders from Avi (Richard Dreyfuss). He lives a lonely existence, making friends out of fine wine and good food, resenting his apprentice, Uzi (Peter Facinelli), who's taking jobs from him due to youth. When Avi hands Asher three contracts for a revenge scheme, the hitman takes the job, only to lose consciousness due to health issues, making accidental contact with Sophi... (Full plot summary below)
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Asher (Ron Perlman) is a contract killer who's spent the better part of his life ending other lives, taking orders from Avi (Richard Dreyfuss). He lives a lonely existence, making friends out of fine wine and good food, resenting his apprentice, Uzi (Peter Facinelli), who's taking jobs from him due to youth. When Avi hands Asher three contracts for a revenge scheme, the hitman takes the job, only to lose consciousness due to health issues, making accidental contact with Sophie (Famke Janssen), a ballet teacher distraught over mother Dora (Jacqueline Bisset), who's losing her battle with dementia. Asher and Sophie make a connection, embarking on a tentative courtship where the murderer can't share anything about his life. As the pair work out their flirtations, Asher is forced to pair with Uzi on a group hit, and when that goes bad for a moment, the veteran soon becomes marked for death, threatening all the good that's come into his world.
Leave your thoughts about Asher.
| Chicago Sun-TimesRichard RoeperOf course, the aging-hit-man theme is hardly original, and at times Asher feels almost TOO familiar — but thanks to the great performances by Perlman and the supporting cast; a knowing and literate script by Jay Zaretsky, and the slick direction of Michael Caton-Jones, this is a sparkling black diamond of film noir. |
| Arizona RepublicWeldon B. JohnsonAsher can move slowly at times, kind of like its main character, but you find yourself rooting for the old guy. You’ll want to stick around to find out if he makes it to the retirement home for hitmen. |
| Los Angeles TimesNoel MurrayPerlman has a physical presence that makes him look like he stepped off the cover of a paperback. He brings soul to this old hired gun, who’s become a creature of habit, mired in a daily routine of killing other people and waiting to die. |
| VarietyDennis HarveyThat blend of action genre content and character study is a comfortable mix for Perlman, even if Asher doesn’t quite have the stuff to be truly memorable on either count. |
| The Hollywood ReporterFrank ScheckNothing in the proceedings rings remotely true unless you've been weaned on a steady diet of soulful hit men movies. But the film works to some degree anyway thanks to the terrific performance by Perlman, who infuses the title character with a compelling, world-weary gravitas. |
| The New York TimesGlenn KennyUnfortunately the pace is so relaxed as to be meandering; and Jay Zaretsky’s screenplay is cliché-packed. |
| User ReviewMauro_Lanari(Mauro Lanari) "Hitman: Redemption" is a B movie that fails to be something more. Great wasted cast. |
