Amer
Amer

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- 61/100 based on 6,454 votes

Three key moments, all of them sensual, define Ana's life. Her carnal search sways between reality and colored fantasies becoming more and more oppressive. A black laced hand prevents her from screaming. The wind lifts her dress and caresses her thighs. A razor blade brushes her skin, where will this chaotic and carnivorous journey leave her?... (Full plot summary below)

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Full Plot Details

Three key moments, all of them sensual, define Ana's life. Her carnal search sways between reality and colored fantasies becoming more and more oppressive. A black laced hand prevents her from screaming. The wind lifts her dress and caresses her thighs. A razor blade brushes her skin, where will this chaotic and carnivorous journey leave her?

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Movie Reviews

Sky Cinema - 10/10 by Rob DanielFans lamenting the decline of Italian fear maestro Dario Argento will be relieved to find his legacy in such talented hands.
Movieline - 10/10 by Stephanie ZacharekIn the end, the action sequences are just overblown and dollar-squandering, with no particular payoff in the entertainment department. The supporting actors - particularly Jones, Tucci and Luke - are the thing to watch here; they do all they can to keep the movie's gears running smoothly.
Brand X - 9/10 by Andy Klein[T]hey have re-created, in exaggerated form, the virtues and vices of '70s/'80s Italian giallos...
Lessons of Darkness - 9/10 by Nick SchagerTommy Lee Jones provides wisecracking levity as Rogers's commanding officer, Hayley Atwell supplies the aforementioned buxom chest and accompanying tough-girl grit as Rogers's British love interest, and Johnson directs with flair, his set pieces defined by both muscularity and clarity.
New York Times - 8/10 by Stephen HoldenA voluptuous wallow in recycled psychosexual kitsch.
ViewLondon - 8/10 by Matthew TurnerBy turns disturbing, suspenseful, puzzling and terrifying, Amer is a stylishly directed, visually stunning pastiche of Italian genre cinema with a superb soundtrack and terrific performances from the three leads.
Time Out - 8/10 by David JenkinsIt's perhaps asking a bit much to read it as anything more than a claustrophobic portrait of sexual danger, but it still fulfils that highly specific brief with blood-splashed gusto.
Total Film - 8/10 by Kevin HarleyBruno Forzani and Hélène Cattet's baroque Belgian beauty pays homage to '70s Italian horror but brims with its own sexualised currents of threat and promise.
The Skinny - 8/10 by Jamie DunnNear wordless, the film is a banquet of baroque imagery and kaleidoscopic colour.
Dork Shelf - 7/10 by Shelagh Rowan-LeggThese directors succeed by creating a film which needs no plot in order to keep the viewer haunted and fascinated.

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