After Fall, Winter
After Fall, Winter

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- 65/100 based on 935 votes

WINTER is a dangerous, sexy, poignant and at times darkly funny story about two people who desperately want intimacy but have fashioned lives of reclusivity and emotional fracture which ultimately spells the doom of their great love. WINTER begins with Michael, in his mid forties, suicidal about his writing career, which once flourished and now is on a downturn. He leaves his home in New York and goes to Paris in hopes of igniting his passion for writing and life. He also has... (Full plot summary below)

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Full Plot Details

WINTER is a dangerous, sexy, poignant and at times darkly funny story about two people who desperately want intimacy but have fashioned lives of reclusivity and emotional fracture which ultimately spells the doom of their great love. WINTER begins with Michael, in his mid forties, suicidal about his writing career, which once flourished and now is on a downturn. He leaves his home in New York and goes to Paris in hopes of igniting his passion for writing and life. He also has a penchant for S and M. Soon after is arrival he meets Sophie, a sexy, smart, soulful, nurse who helps dying people transition to the after world. She and Michael instantly have chemistry albeit combative. Sophie has a secret. Her other job is being a dominatrix. Throughout the film, Sophie is nursing a little girl, Anais, who is dying of leukemia.

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Movie Reviews

New York Post - 4/10 by V.A. MusettoAfter Fall, Winter would play better minus at least half an hour of flab.
Variety - 4/10 by Ronnie ScheibUncomfortably confessional or wildly melodramatic plot twists work interestingly in the moment, but wobble in retrospect. Pic's overarching structure is further weakened by Schaeffer's half-hearted attempt to tie together loose ends.
Film Journal International - 4/10 by Doris ToumarkineDrama about a failed and depressed 'Ugly American' New York writer attempting some kind of regeneration in Paris follows its 'hero' into degeneracy.
Slant Magazine - 3/10 by Diego SemereneTaking the pedestrian and decidedly unsexy American male to Paris so he can become a sexual human being attuned to life's small pleasures is a tired device that perhaps only Woody Allen could possibly resurrect from the stinky pile of cinematic clichés.
The Hollywood Reporter - 3/10 by Frank ScheckThe good news is that it will be a good 15 years before we're forced to encounter the character again in Spring. Maybe by then he'll be less of a downer.
CineVue - 2/10 by Robert SavageOne wishes [Eric Schaeffer] had kept his dirty home movies to himself.
Village Voice - 2/10 by Aaron HillisSchaeffer can't be trusted or believed as a broken man - he's got no humility.
Time Out - 2/10 by Nick SchagerWhile it may make the City of Light look beautiful, ultimately, this insufferable indie auteur's navel-gazer is just another faux-kinky vanity project in which its creator's neuroses are placed on an undeserved pedestal.
The New York Times - 1/10 by Neil GenzlingerThe lovebirds' dialogue has the sophistication of a junior high school romance, and Mr. Schaeffer appears to have pasted his story together from the button-pushing plotlines of other films.
User Review - 10/10 by Jason HIf you are living in BDSM world and understand it, this is real deal. It mirrors reality in our world, the power dominant has over submissive individual and possible consequences if you are bad or just inexperienced master, Very deep movie with tons of details which are hidden to vanilla audience. I admit some dialogs are cliché and not polished. Still solid 91%.

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After Fall, Winter