
Early 1905, French governess Emilie Gallatin (Ingrid Bergman) is hired to care of a luxurious family mansion and the four sons of wealthy Adam Stoddard (Warner Baxter) and his wife, Molly Stoddard (Fay Wray). Things couldn't be more perfect, until in 1907, first Molly dies, and then the stock market crashes, wiping out the Soddard's fortune. Emilie is forced to go back home to France. The parting is difficult, for the teenager boys - Jack Stoddard (Billy Ray), David Stoddard ... (Full plot summary below)
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Early 1905, French governess Emilie Gallatin (Ingrid Bergman) is hired to care of a luxurious family mansion and the four sons of wealthy Adam Stoddard (Warner Baxter) and his wife, Molly Stoddard (Fay Wray). Things couldn't be more perfect, until in 1907, first Molly dies, and then the stock market crashes, wiping out the Soddard's fortune. Emilie is forced to go back home to France. The parting is difficult, for the teenager boys - Jack Stoddard (Billy Ray), David Stoddard (Steven Muller), Chris Stoddard (Wallace Chadwell), and Phillip Stoddard (Bobby Walberg) - had grown to depend on Emilie more after the loss of their mother, and Emilie had fallen in love with Adam. Seven years later, just before the beginning of World War I, the family's fortunes have improved, and Adam insists with Emilie to return and stay on as part of the family - preserving her from the foreseeable fates of war. The four boys are adults, and they all serve in various branches of the military - Jack Stoddard (Richard Denning), David Stoddard ('Johnny Downs (I)'), Chris Stoddard (Robert Shaw), Phillip Stoddard ('Charles Ling'). Meanwhile, David, the second son, brings home his carefree, gold-digging wife named Hester (Susan Hayward). To make things worse, she comes to live in the family home while David is out at war. Hester degrades Emilie, cons Adam into believing she is a sweet young thing, and cheats on David by attempting to seduce his brother Jack, who will have nothing to do with her. One night, the father sees a silhouette of the supposed lovers, but before he can identify them, Emilie enters the room from another door and pretends that it was her, not Hester, with Jack. This cover-up for Jack will strain Emilie's relationships with both the boys and Adam, and makes an easy target of her for the gutter-snipe Hester. The internecine war between the governess and Hester culminates in an out-and-out brawl. Adam unwittingly sides with Hester, who showers crocodile tears on his shoulder (with a telling close-up as she displays a wicked smile over his shoulder) while he comforts her. Hester's malicious personality is revealed to a visiting aunt, Adam's cousin Phillippa (Helen Westley), and Hayward is exposed as an uncontrollable vixen.
Leave your thoughts about Adam Had Four Sons.
| Reel Film ReviewsDavid Nusair...the high sleaze quotient ensures that Adam Had Four Sons remains engrossing enough to warrant a recommendation. |
| User ReviewScott SIngrid Berman is so beautiful and charming. She captures the screen on this simple love story. |
| User ReviewChristopher BWell scripted and directed, Bergan stars in this tale as a governess who promises a dying mother to look after the family. She keeps her promise, at a price to the fondness and respect she had earned of all - including herself. |
| User ReviewWilliam WThis was a good early melodrama--the first of Ratoff's films I have seen (at least to my knowledge) and American films starring Ingrid Bergman, one of my favourite actresses (three earlier Swedish films she's in, that I found in an inexpensive boxed set by Kino Lorber, is delightful). This boasted a strong supporting cast too, as Bergman's Emilie does everything she can to provide support for the family she loves working for so dearly. It was short and sweet, and is good value for the cinephile if you like the 30's-and-40's style of filmmaking, and enjoy melodramas. Other fine directors who are great at this style are John Stahl, Douglas Sirk, and, more recently, Rainer Werner Fassbinder and Todd Haynes. At this stage of her career, Bergman isn't as fun to watch, at least for me, as similar actresses of her era, such as Bette Davis, Greta Garbo or Joan Crawford. I prefer Bergman's work after she risked everything to marry Roberto Rossellini. I believe the great difficulties she had to endure gave her a much deeper palette of possible behaviours for her to choose from. I significantly feel that if a thespian can survive trauma, it's the best thing in the world for their craft. What doesn't kill you makes you stronger--and I would definitely posit it makes one a much better actor as well. |
| User ReviewSylvester EA wonderful film from start to finish. Make sure to add this one to your collection. |
| User ReviewJames HVery fine classic film, Ingrid Bergman's second American film is a heartwarming tale, wonderfully acted. It is great to see Susan Hayward in an early bitchy role, she's terrific and it's clear why she became a huge star. |
| User Reviewjay nnot a great movie, Ingrid is a little pallid but Susan Hayward is great as a scheming homewrecker. |
| User ReviewPanta OI have to admit that it's embarrassing how did I found this movie... I was checking movies I've seen from Bergman and on data base I found this one. Got it and too late realize that it wasn't the director Bergman's movie but Ingrid Bergman's... it was her second movie in America! It is typical romance movie of that time in which Warner Baxter portrays the wealthy, easy-going patriarch of a family that falls on hard times after the death of his wife and a stock market crash. Recently arrived governess Emilie (played by Bergman) works to keep the family together but the financial loss of Adam Stoddards (Baxter) fortune means that Emilie must return to France. Reversing his fortunes takes several years and after that Adam recalls Emilie to look after it... but there is a twist! One of the sons, David, returns with his new wife, Hester, (played by Susan Hayward), who turns out be a conniving woman who wants to rule the roost... Screenplay was engaging, but I have to say that cinematography was below the average. I liked the acting of all the stars in this movie, while directing could be done by any film student and no one will notice the difference! It's a good material for anyone interested in the film history... |
| User ReviewPrivate UI liked Ingrid in this film. I like Ingrid in MOST films. Everything else was just for period "gravy". The four boys eventually go off to WW1 and they are SO jingoistic...unbelieveable...even AFTER they came back from the war...but...well, anyway. There is a scheming woman in this...and it's just funny how much everyone's eyes GLEAM in anger or GLEAM in despair, etc. It was a sweet movie, but not super-super interesting... |
| User ReviewJosh KBlech. This is pretty schmaltzy by even Hollywood standards. Bergman plays a saintly au pair willing to sacrifice anything to help the patrician family that employs her. The family, of course, comes to lover her and her as one of their own, even as they ship her back to Europe when they can't afford her! The film reflects a very naive attitude towards domestic labor relationships and a hostile one towards female sexuality. It is definitely a product of its time. I could barely get through it. |