
A.C.O.D. follows a seemingly well-adjusted Adult Child of Divorce (Adam Scott) who is forced to revisit the chaos of his parents' (Catherine O'Hara and Richard Jenkins) bitter divorce all over again after his younger brother (Clark Duke) decides to get married.... (Full plot summary below)
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A.C.O.D. follows a seemingly well-adjusted Adult Child of Divorce (Adam Scott) who is forced to revisit the chaos of his parents' (Catherine O'Hara and Richard Jenkins) bitter divorce all over again after his younger brother (Clark Duke) decides to get married.
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| Philadelphia InquirerSteven ReaWatching Jenkins and O'Hara go at it (in more ways than one) is especially terrific fun. |
| Groucho ReviewsPeter CanaveseHums along nicely as it diagnoses what Dr. Judith calls 'the least-parented, least-nurtured generation—ever.' It's funny without being broad, thanks to a fine ensemble... |
| RedEyeMatt PaisScott deserves credit for finding a deeper sense that kids of divorce often lose their innocence too soon. |
| Film School RejectsAllison LoringZicherman, who also directed the film, has brought together a strong comedic cast, but he also utilizes them well to create a funny film that even those of us who are not A.C.O.D.s (see: me) can relate to. |
| Entertainment WeeklyOwen GleibermanAdam Scott has a controlled, almost overly impeccable charisma. Handsome, with small precise facial features, he has a witty, hiply downcast delivery that, on screen, can make him seem like a unit unto himself. |
| The PlaylistKimber MyersComedy can succeed based on either its relatability or sheer absurdity, and A.C.O.D. favors the former approach, while not entirely forgoing the latter. |
| RogerEbert.comDan CallahanA.C.O.D. is a sharp, dark-ish character comedy, settling for a dry tolerance in its point of view that is very appealing and even admirable. |
| Blu-ray.comBrian OrndorfHas a few moments that shine, but the rest is shockingly leaden and clumsy, feeling around for a heart it hasn't earned and for laughs that seldom arrive. |
| Film.comWilliam GossA.C.O.D. proves to be both a solid debut for Zicherman and a worthy vehicle for Scott and company, one that provides plenty of awkward laughs and generally gives the American farce a good name again. |
| The Hollywood ReporterJohn DeForeFunny but less successful as comedy than as a cry of you-screwed-us-up solidarity. |