
Inspired by David Baldacci's novel, and the ruthlessness of people in power. President Alan Richmond believes that everything he does is beyond reproach, including an affair or two. That leads to murder and everyone around him is involved. There is only one witness, a thief named Luther Whitney. They are sure he'll talk, but when? The Secret Service is determined to keep him quiet, but catching a thief isn't always easy.... (Full plot summary below)
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Inspired by David Baldacci's novel, and the ruthlessness of people in power. President Alan Richmond believes that everything he does is beyond reproach, including an affair or two. That leads to murder and everyone around him is involved. There is only one witness, a thief named Luther Whitney. They are sure he'll talk, but when? The Secret Service is determined to keep him quiet, but catching a thief isn't always easy.
Leave your thoughts about Absolute Power.
| Flipside Movie EmporiumRob VauxEastwood labors in a role that calls for someone far less forceful, while Hackman is positively embarassing. These were the same guys who made Unforgiven? |
| San Francisco ChronicleMick LaSalleA first-rate thriller about arrogance at the top. |
| NewsweekDavid AnsenEastwood is at his effortless, slyboots best and the film is as preposterous as it is delightful. |
| Urban CinefileUrban Cinefile CriticsDramatically and cinematically, the film is fabulous until the final third of its two hours, when everyone tries a tad too hard, from scriptwriter to director. |
| Lessons of DarknessNick SchagerDunderheaded fantasy about noble thieves and corrupt commander-in-chiefs. |
| Ozus' World Movie ReviewsDennis SchwartzThe script calls for no bold statements about the politics of the White House, which makes the film rather weak in purpose. |
| San Francisco ExaminerBarbara ShulgasserEastwood is perfect as the bad guy (a thief) you root for. |
| Los Angeles TimesKenneth TuranA fairly routine thriller that gets high marks as a result of tight pacing and top-notch acting. |
| TimeRichard CorlissEastwood is in good, sly form, once again delighting in a character's splendid solitude and singular skill at what he does. |
| Flick FilosopherMaryAnn JohansonThis is just a better makeup job on the same misogynist theme: live woman = nothing; dead woman = power. |