
THE NIGHTINGALE is a meditation on the horrors of Australian colonization, set at the turn of the 19th century. The film follows Clare, a 21-year-old native Irish wife and mother held captive beyond her 7-year sentence, desperate to be free of her obsessed master, British lieutenant Hawkins. Clare's husband Aidan intervenes with devastating consequences for all. When British authorities fail to deliver justice, Clare pursues Hawkins, who leaves his post suddenly to secure a c... (Full plot summary below)
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THE NIGHTINGALE is a meditation on the horrors of Australian colonization, set at the turn of the 19th century. The film follows Clare, a 21-year-old native Irish wife and mother held captive beyond her 7-year sentence, desperate to be free of her obsessed master, British lieutenant Hawkins. Clare's husband Aidan intervenes with devastating consequences for all. When British authorities fail to deliver justice, Clare pursues Hawkins, who leaves his post suddenly to secure a captaincy up north. Unfamiliar with the Tasmanian wilderness she enlists the help of an orphaned Aboriginal tracker Billy. Marked by their traumas, the two fight to overcome their distrust and prejudices against the backdrop of Australia's infamous 'Black War'.
Leave your thoughts about The Nightingale.
| Hollywood ReporterDavid RooneyIf The Nightingale doesn’t quite fulfill the high expectations for Kent’s sophomore feature, it still shows a director with a muscular handle on her craft, though in this case she could have used a script collaborator to address the weaknesses. |
| indieWireMichael NordineAcclaimed filmmakers often face the challenge of big expectations on their second features, but Kent joins the ranks of sophomore filmmakers whose new movies expand on their debuts in startlingly ambitious ways. |
| The PlaylistJessica KiangWith all this evocative material available it’s unfortunate that Kent lavishes so much of the overgenerous runtime on repetitive and redundant plotting. |
| GuardianBen CrollWeaving themes of colonialism and class into the broad strokes of a won’t-stop-can’t-stop revenge potboiler, the film marks a step forward for the Australian director in terms of ambition and scope. In execution, however, the songbird hits a few false notes. |
| CineVueJohn BleasdaleAs the film drifts through dream sequences and diversions, the dramatic power of the chase fizzles in the damp of the woods. |