
19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a constant stream of men at her beck and call. But when the two finally meet, they discover that they have a lot more in common than appeared at first sight...... (Full plot summary below)
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19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a constant stream of men at her beck and call. But when the two finally meet, they discover that they have a lot more in common than appeared at first sight...
Leave your thoughts about A Short Film About Love.
| ReelViewsJames BerardinelliThere is more real feeling in this brief feature than in a hundred full-length Hollywood romantic comedies. |
| New York Daily NewsJami BernardFor most of the movie, you'll think Tomik is a pretty sick puppy. But Kieslowski's skill as a spare, cerebral film maker is to turn your perceptions around. |
| City Pages, Minneapolis/St. PaulRob NelsonA Short Film About Love, despite its title, has more to do with guilt and remorse and manipulation; it might not be about love at all. |
| New York TimesStephen HoldenIts picture of a world where people spy on one another reverberates with a post-cold-war paranoia, evoking the chilling notion that privacy, like love, may also be just an illusion. |
| San Francisco ExaminerGary KamiyaOverall, Kieslowski has crafted a compelling portrait of love, that weed that forces its strange way through life's hardest cement. |
| Chicago ReaderJonathan RosenbaumA remarkable 1988 Polish feature expanded by Krzysztof Kieslowski from his film The Decalogue. |
| Slant MagazineEric HendersonIt speaks with the tranquility of a parable. |
| Ozus' World Movie ReviewsDennis SchwartzIt's an absolutely stunning film that blows you away with its droll humor and its uncovering of sublime emotional truths. |
| San Francisco ChronicleEdward GuthmannIt's well-crafted and satisfying, even if it lacks the depth of Red. |
| Empire MagazineAlan MorrisonAs the power shifts between the watcher and his subject, between romantic love and carnal lust, Kieslowski taps into the most intimate, fragile areas of human relationships with gripping and often suprisingly humourous results. |