
"We've worked so hard on this land," says Sav Samourn. "And now they've come to destroy it all. Sooner or later it will all be gone." In her directorial debut, award-winning filmmaker Kalyanee Mam travels to her native homeland to capture the stories of three young Cambodians struggling to maintain their traditional way of life while the modern world closes in around them. Deep in the jungle, Sav Samourn struggles as large companies encroach and "progress" claims the life-giv... (Full plot summary below)
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"We've worked so hard on this land," says Sav Samourn. "And now they've come to destroy it all. Sooner or later it will all be gone." In her directorial debut, award-winning filmmaker Kalyanee Mam travels to her native homeland to capture the stories of three young Cambodians struggling to maintain their traditional way of life while the modern world closes in around them. Deep in the jungle, Sav Samourn struggles as large companies encroach and "progress" claims the life-giving forests. She discovers there's little room for wild animals, ghosts - and the home she has always known. In a fishing hamlet, Sari Math must quit school to help support his family. But as the fish catch dwindles, Sari and his family find their livelihood threatened. In a village, Khieu Mok must leave to seek work in a Phnom Penh factory to help pay her family's debts. But city life proves no better, and Khieu struggles between her need to send money home and her duty to be with her loved ones. From Cambodia's forests to its rivers, from its idyllic rice fields to the capital's pulsing heart, forces of radical change are transforming the landscape of the country - and the dreams of its people.
Leave your thoughts about A River Changes Course.
| The New York TimesNicole HerringtonThis human story is profound enough to stand on its own. |
| Wall Street JournalJoe MorgensternBeautiful images can be a distraction in a serious documentary, but that's hardly the case here. They draw us in so we can better understand the hurtling changes that endanger the future of Cambodia and, by extension, much of the developing world. |
| Los Angeles TimesSheri LindenMam's camera work is exquisite in its immediacy and agility. One of the most striking aspects of her film is the intimacy it achieves without feeling intrusive or turning her subjects into fodder for a message. |
| Village VoiceAlan ScherstuhlFor the most part, the narrative here feels generational, representative, rather than invested in the specific incidents of specific lives. |
| Slant MagazineTomas HachardA delicate documentary about a way of life that's slowly disappearing, yet gives way to nothing new. |
| rec.arts.movies.reviewsLouis ProyectDeeply compassionate and artistically realized study of the Cambodian poor by a Cambodian. Remarkable testimony to the power of committed film-making. |
| The Hollywood ReporterJohn DeForeHonest and well made but lacking a strong hook. |
| The DissolveNick SchagerProspects are dim no matter where these people choose to reside, and A River Changes Course captures their struggle with an ethnographic gaze that generally maintains enough detachment to avoid excessive, judgmental handwringing and heartstring-tugging. |
| NonficsDaniel WalberMam's skill with a camera alone is something to watch for in the future, and the plural storytelling in this film could be a sign of very interesting things to come. |