A Place in the Sun
A Place in the Sun

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A chance meeting with his uncle leads to George Eastman (Montgomery Clift) being caught in the middle of two worlds, neither side in which he truly belongs. The son of poor missionaries, his father who has passed away, George met his wealthy paternal uncle Charles Eastman (Herbert Heyes) while George was working as a bellhop in his uncle's hotel in Chicago, Illinois. Wanting a better life for himself, George takes his uncle up on his offer for a placement somewhere in one of ... (Full plot summary below)

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Full Plot Details

A chance meeting with his uncle leads to George Eastman (Montgomery Clift) being caught in the middle of two worlds, neither side in which he truly belongs. The son of poor missionaries, his father who has passed away, George met his wealthy paternal uncle Charles Eastman (Herbert Heyes) while George was working as a bellhop in his uncle's hotel in Chicago, Illinois. Wanting a better life for himself, George takes his uncle up on his offer for a placement somewhere in one of the Eastman factories, Charles' want in this offer being for any Eastman to take his proper place in the world. Under the directive of his cousin Earl (Keefe Brasselle), George is placed on the factory assembly line, largely neglected by the Eastmans as a whole. Regardless, George still does see this position as a stepping stone to something better, for which he is willing to work hard to achieve. George, lonely in his new surroundings, breaks the company rule of no fraternizing with fellow employees when he starts to date fellow Eastman assembly line worker Alice Tripp (Shelley Winters). Several months later, Charles, remembering about his nephew, promotes George both professionally and personally. Although uncomfortable in society gatherings, George eventually is befriended by one person in this new world, the beautiful society maiden Angela Vickers (Dame Elizabeth Taylor), who George fell in love with at first sight even before he arrived in town. Angela too falls in love with George, which does not sit well with her parents if only because they know nothing of him. George is caught between his want for prosperity and being with Angela, the woman he truly loves, and his obligations to needy Alice, who learns of his society friends and Angela, who ends up getting pregnant by him, and who uses whatever means in her limited powers to pressure him to do right by her in marrying her.

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Movie Reviews

The Guardian - 10/10 by Peter BradshawEvery second of this noir masterpiece is gripping, and the chemistry between Montgomery Clift and Elizabeth Taylor is utterly thrilling.
CineVue - 10/10 by Craig WilliamsOne of the major successes of A Place in the Sun is the way it delicately obfuscates the distinction between romantic longing and personal ambition.
Observer (UK) - 10/10 by Philip FrenchGeorge Stevens's meticulously observed 1951 version of Theodore Dreiser's massive 1925 novel An American Tragedy ...
Little White Lies - 10/10 by Glenn Heath Jr.Clift's mesmerising, tragic performance only deepens with time.
The Australian - 9/10 by Evan WilliamsOne of the great studio dramas of the period and one of this column's favourite films, with haunting performances from Elizabeth Taylor and Montgomery Clift.
London Evening Standard - 8/10 by Derek MalcolmStevens's unsentimental characterisation and the pair's fine performances make this one of Clift's most memorable films.
Variety - 8/10 by Herb GoldenStevens has mounted his production lavishly. Undoubtedly cognizant of the shortcomings of the story itself as popular entertainment, studio toppers have wisely permitted the film every possible compensating advantage. The result is a big picture in both concept and execution.
Not Coming to a Theater Near You - 7/10 by Michael NordineThe power of A Place in the Sun's plot, and its most noirish element, is its ability to force the viewer to unquestioningly follow this dream logic.
The New Yorker - 7/10 by Pauline KaelThe chemistry between Clift and Taylor is unmistakeable – this is one of the great cinematic portraits of untamed desire – and there’s a compelling sense of unavoidable destiny, of a societal trap slowly, inexorably snapping shut.
Total Film - 6/10 by Philip KempMost of Dreiser's acrid social satire is smoothed away by Stevens' grandiose style, and it's all too stately to be affecting.

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A Place in the Sun