A Man Called Sledge
A Man Called Sledge

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- 59/100 based on 1,461 votes

Outlaw Luther Sledge and sidekick Mallory pull into the town of 3 W for an overnight stay. While Sledge heads upstairs to spend the night with long-time prostitute friend Ria and a bottle of rye, his sidekick Mallory enters a game of poker downstairs in the saloon. Frustrated with loosing their money to Mallory, two of the other gamblers shoot him dead. Alerted to the downstairs gunshot noise, Sledge descends in the saloon, pretending he's drunk, catches the two gamblers unpr... (Full plot summary below)

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Full Plot Details

Outlaw Luther Sledge and sidekick Mallory pull into the town of 3 W for an overnight stay. While Sledge heads upstairs to spend the night with long-time prostitute friend Ria and a bottle of rye, his sidekick Mallory enters a game of poker downstairs in the saloon. Frustrated with loosing their money to Mallory, two of the other gamblers shoot him dead. Alerted to the downstairs gunshot noise, Sledge descends in the saloon, pretending he's drunk, catches the two gamblers unprepared and shoots them dead. An old man who witnessed the shooting offers to serve as Sledge's witness and swear it was self-defense in case of an inquiry. The next day, Sledge leaves town to meet with the rest of his gang in the hills. He notices the old man from the saloon following him on horseback some distance away. Sledge stops the old man and asks him why he is following behind. The old man explains that he is not following Sledge but rather a convoy escorting a gold shipment. Interested, Sledge takes him at the meeting with his gang. There, the old man explains that while serving a 20 year sentence in the Rockville maximum security prison he learned about the existence of a vault inside the prison where gold is kept overnight. The gold mines in the region ship their gold under heavy armed escort to the prison where the gold sits in the vault overnight until ready to be taken to the gold exchange in the city. The escort is comprised of 40 hand-picked armed guards and the gold wagon is equipped with a manned machine-gun on top of it. Attacking the convoy would surely mean suicide. The old man insists his story is true and that he was imprisoned in a cell adjacent to the bank-like vault deep inside the prison. Only six inches of steel separated him from the gold kept in the vault. At this point, Sledge realizes that attacking the gold shipment and its escort wouldn't be feasible. However, the old man's story gives him the idea of breaking into the vault inside the prison where the gold is stored overnight before being taken to the city. Sledge shares his plan with his gang and reveals his plan to pose as a prisoner in transit being escorted by a marshal to the Rockville prison for an overnight stay until the next day when the marshal would take him to the jurisdiction that posted the wanted bond for Sledge. A member of the gang, Erwin Ward, agrees to impersonate the marshal and Sledge agrees to play the captured outlaw and use his real name since he's wanted for a 5000 dollars reward anyway. Will the plan work ?

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Movie Reviews

Ozus' World Movie Reviews - 7/10 by Dennis SchwartzGets the violence part right, but there's not much else to the tired plot line.
eFilmCritic.com - 5/10 by Scott WeinbergA slapdash affair cobbled together to cash in on the Leone/Eastwood sensation of the late 1960's.
User Review - 10/10 by Van RMany American leading men trailed Clint Eastwood to Europe during the heyday of the Spaghetti western in the 1960s and 1970s. Reportedly, not only did Lee Van achieve superstar status on the continent, but he also surpassed Eastwood's popularity in westerns. Burt Reynolds took top billing in Sergio Corbucci's "Navajo Joe," about a revenge seeking redskin. Henry Fonda and Charles Bronson tangled in Sergio Leone's "Once Upon A Time in the West." James Coburn and Eli Wallach anted up for a couple of oaters. Most American stars were either solidly established or whose careers were riding the rails to the big sundown, such as Guy Madison, Rod Cameron, Stewart Granger, John Ireland, Yul Brynner, etc. Surprisingly, lightweight leading man James Garner crossed the Atlantic for "War & Peace" producer Dino De Laurentiis to star in a savage western "A Man Called Sledge" with former "Combat" star Vic Morrow at the helm. Fellow "Combat" alumnus Frank Kowlaski co-scripted "A Man Called Sledge" with Morrow. This formulaic shoot'em up saga qualifies as James Garner's most unusual role. "Maverick" star James Garner shunned his affable image to play against type as a no-holds barred outlaw who is clearly on the wrong side of the law. Dennis Weaver of "Gunsmoke," Claude Akins of "Return of the Seven," and "Colt .45" star Wade Preston fleshed out the "Sledge" cast along with fellow Americans Ken Clark and Tony Young. Shot on location by seasoned lenser Luigi Kuveiller against the sheer, raw beauty of Spain, this frontier western adventure told a tale about greed and revenge. Essentially, "Sledge" emerged as an impossible heist western, similar to director Don Taylor's "The 5-Man Army" (1969) with Peter Graves and James Daly. "A Man Called Sledge" opens--in Sergio Corbucci country--with Luther Sledge (James Garner) and Mallory (Tony Young of "Taggart") robbing a stagecoach on a snowy mountain trail. During the hold-up, the shotgun guard chucks his weapon. Incredibly, a freak accident--that neither Sledge nor Mallory anticipatedâ??occurs. The shotgun discharges and kills the driver. Talk about coincidence! Sledge and Mallory make off with the loot to a secluded saloon known as 'the 3 Ws. They feel awful about the accidental death of the driver. Sledge has come to meet his girlfriend Ria (Laura Antonelli of "Dr. Goldfoot and the Girl Bombs") and he joins her upstairs in a room. Overconfident Mallory decides to play poker. "You're the worse poker player I ever saw," Sledge reminds Mallory. Ironically, Mallory wins hand after hand. Triumphantly, as he gathers his fortune, Mallory observes, "I just made a killing," and evil Floyd (Ken Clark of "Attack of the Giant Leeches") shoots him in the back. Sledge stumbles down the stairs and finds Mallory dead on the floor. Floyd and his cohorts ridicule Sledge. Sledge whips out Mallory's pistol and guns them both down. An old man (John Marley of "Love Story") witnesses the gunfight. Later, Sledge intercepts him in Rockville and suspects him for being a bounty hunter. The old man goes berserk after Sledge trusses him up so he cannot watch an escort of 40-armed riders take a gold payroll into a nearly prison for safekeeping. He explains that the riders lock up the goldâ??usually about $300-thousand worthâ??in the prison vault overnight before they continue to the clear house. The old man recounts his prison days. "I never could sleep when that gold was next to me. You know gold gives off a scent. It's like an animal or a man. Paper money don't throw off a scent. Paper money don't whisper to you like gold does through six inches of steel." Sledge decides to steal the gold, but Ward (Dennis Weaver) and Hooker (Claude Atkins) are leery about the heist. Similarly, Sledge reveals a lot about himself when he says, "I ain't kidding myself that it is the last. I'm gonna finish my life with a white picket fence and the little woman making biscuits. Me sprouting gray like a tree in the fall. I wanna go out with a bullet in my head or a rope around my neck. I want a little taste of living before I go." Sledge and company follow the gold from mine to prison but find no flaw in the security precautions. They ride into Rockville for supplies and the Old Man poses as a head of a westbound family and an arsenal of weapons. "I feel like one of those Eastern war profiteers," Sims confides in Rockville Sheriff Ripley (Wade Preston) that the Old Man bought "enough firepower to save Custer. When Ripley enters the store, Sledge pokes a gun in his back. Another gunfight erupts and a Sledge man dies in a murderous crossfire. After the death of one of their own, Ward and Hooker are really reluctant about the gold shipment robbery, until Sledge devises a daring plan. Since they cannot take it from the outside, Sledge proposes to take it in the prison. Ward poses as Deputy Marshall and gains entrance to the prison because he has Sledge in his custody. They put Sledge in solitary with the rest of the other loonies and Sledge breaks out with Ward's help. Morrow generates considerable suspense in solitary with their breakout. The way that Sledge gets out of being taken by Ripley to the Rockville City Jail is clever, too. Thematically, "A Man Called Sledge" concerns greed and the song 'the Curse that Follows Other Men's Gold' sums up the action. Everybody is after somebody else's gold, and greed consumes them to the point that nothing else matters. This western boasts some irony so that the action contains greater depth. Mallory wins at cards but loses his life. Audaciously, Sledge engineers a way into the worst prison in the Southwest where the authorities would dearly love to maintain him. Later, he ties a cross to his hand so he can fire his gun. "A Man Called Sledge" qualifies a gritty but entertaining Italian western!
User Review - 10/10 by Leonard CNot bad for a Spaghetti Western, terrific cast!
User Review - 8/10 by Michael TThis is actually a "Spaghetti Western" despite its being directed by American actor Vic Morrow and the rather large number of Yanks in the cast (Garner, Weaver, Akins, Marley). Dino DeLaurentis produced the film and it was released in Italy, Europe, and the UK before being dumped into drive-ins and grindhouses in the USA. James Garner had played hardmen in the past but Luther Sledge is an out-and-out desperado who engineers the theft of a shipment of gold. The film starts out with a stagecoach robbery in the snowbound mountains (ala THE GREAT SILENCE) but soon Garner and company are rooting around the deserts of southern Spain (standing in for the American Southwest). Several standout scenes include a breakout from a federal prison to cover Sledge's robbery; Sledge's card game with the old man (John Marley); and the religous procession that leaves the village that Sledge has a showdown with his turncoat gang members in. After dealing with the gang but losing the gold, Sledge rides out just as the villagers return. Laura Antonelli went on to be a major star in adult European films; her sex scenes with Garner were cut from most American prints.
User Review - 6/10 by Randy UJames Garner rarely, if ever, disappoints. Don't take a pass.
User Review - 6/10 by Thomas BA western worth watching, if ya can stand the corny background music!
User Review - 6/10 by John RI'm a huge fan of spaghetti western and I'm a huge fan of James Garner, so I'm not sure why it took be so long to ever watch this film. However, outside of getting to see Garner play against his usual type of role, here playing a scuzzy cowboy leading a group of outlaws set on stealing a large shipment of gold, the film is surprisingly not that engaging. Produced by Dino De Laurentiis and directed by American actor Vic Morrow (Jennifer Jason Leigh's dad, who also co-wrote the screenplay), the film does feel like a gritty spaghetti western, but lacks the style or quirk that separated the good from the bland to the awful of this genre. There are some nice touches though, like Garner splitting his gun-hand with a crucifix, but there wasn't enough like this to make this film all that special. Dennis Weaver, Claude Akins and John Marley (the guy from "The Godfather" who wakes up with a horse head in his bed) co-star. Overall, the film is worth checking out if you're a fan of the genre and is decent, but I was expecting it to be better.
User Review - 4/10 by Duncan FAlways been a Garner fan, and used to enjoy The Rockford Files. I read that this movie was contrived to cash in on the spaghetti western craze of the times, albeit too little too late to be a contender. Yes, Garner is miscast as a baddie. Like Selleck he is too inherently likeable to be the villain. He's a man's man and anything less than heroism and noble deeds from him don't ring true. Nonetheless, in the role of Sledge, Garner plays a man whose moral compass veers from middle of the road to mean, murderous and muddle-headed. Not entirely evil through and through, Sledge combines natural leadership (his willing gang members keen to do his bidding), with callous disregard (as long standing saddle buddies get shot in card games or bite the dust) with the traits of fanatical greed (for more gold than you and your horse can ride off with) and being entirely loveable (according to the one and only beautiful woman in the whole wild west who has eyes only for him and waits patiently for his uncertain return). Perhaps Morrow was going for the same inscrutability of Eastwood's nameless stogie-puffing sharpshooter who more or less redeems himself along the way in the Leone series, but Sledge comes across as an implausible mix of personal traits inside a character who is such a bad guy that everyone for miles around knows him, fears him, or wants to turn him in for the price on his head. Stylistically, this movie lingers at the wrong moments on plot elements that don't warrant the airtime. An almost psychedelic cross-dissolving shot sequence conjures a crazy hot desert sun card game (apparently unquenched with either water or whiskey) which goes on long enough for one of the players to lose all his gold. All the while, a repetitive vocal soundtrack harps on about the perils of greed, the weakness of men and the allure of gold. This is a tortuous stretch of footage that makes you want to press fast forward or even eject. I held on, because even with second-rate westerns, I like to give a movie the benefit of the doubt until the bitter end. And what about the end? I would not wish to spoil it for anyone, but I think there may be some kind of morality lesson in this tale along with some personal redemption stuff, but there aren't enough other reviews to corroborate that. And it was all so very long ago now.
User Review - 2/10 by Ronald EPoorly directed, with horrible theme music. At least when James Garner had the love scene with Laura Antonelli, she was not wearing the red, woolen underwear! Garner referred to that film as A MAN CALLED SLUDGE.

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