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| San Francisco ChronicleMick LaSalleA work of art such as A Good Person cannot be the product of some casual connection. It’s the product of a soul connection, and I hope Braff and Pugh get another chance to work together. |
| VarietyOwen GleibermanIt’s an addiction drama that has scenes you can bicker with, a few contrivances, and other peccadilloes. Yet beneath the middlebrow situational conventionality, there’s a core of raw feeling and truth to it. |
| ReelViewsJames BerardinelliAlthough narrative aspects of A Good Person occasionally veer into areas that are either cliched or artificial, many individual scenes are effective (at times powerful). |
| Film ThreatAlan NgNot sure if anyone wants to hear this, but A Good Person is a simple yet complex drama with the intention of bringing some good to this world. |
| ObserverEmily ZemlerEven as the film’s plot tips slightly overdramatic, it hits on something that feels very true, especially for viewers who have experience with addicts. |
| RogerEbert.comNell MinowSome sharp dialogue and Freeman and Pugh's committed and insightful performances hold it together. |
| ColliderRoss BonaimeLed by two solid performances by Pugh and Freeman, A Good Person shows growth from Braff as both a writer and director, as he attempts to push himself into a more mature story that we’re used to from him. |
| We Got This CoveredMartin CarrFlorence Pugh gives another magnetic performance in this hard hitting redemption drama, written and directed by Zach Braff. Aided and abetted by Morgan Freeman, an otherwise average melodrama is elevated by two movie stars on top form. |
| Los Angeles TimesGary GoldsteinA Good Person isn’t an easy ride but, like such disparate, if similarly themed, movies as “Rabbit Hole,” “Waves” and “Four Good Days,” it’s a haunting slice of real life that will make you think, feel and maybe even want to reach out to your loved ones. |
| The Hollywood ReporterFrank ScheckPugh delivers a superb starring performance that serves to accentuate her growing artistic stature and co-star Morgan Freeman turns in his best work in years after appearing in far too many sub-par vehicles. Their efforts lift A Good Person, which otherwise too often feels familiar in its themes and self-conscious in its melodramatic plot contrivances. |