
Are we in fact living in a simulation? This is the question postulated, wrestled with, and ultimately argued for in the latest provocation from acclaimed documentary stylist Rodney Ascher (Room 237, The Nightmare) through archival footage, compelling interviews with real people shrouded in digital avatars, and a collection of cases from some of our most iconoclastic figures in contemporary culture.... (Full plot summary below)
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Are we in fact living in a simulation? This is the question postulated, wrestled with, and ultimately argued for in the latest provocation from acclaimed documentary stylist Rodney Ascher (Room 237, The Nightmare) through archival footage, compelling interviews with real people shrouded in digital avatars, and a collection of cases from some of our most iconoclastic figures in contemporary culture.
Leave your thoughts about A Glitch in the Matrix.
| IndieWireEric KohnDrawing on interviews with 10 experts and internet theorists with an endearing mashup of film clips and trippy 3-D animation, A Glitch in the Matrix adapts to the internal logic of its echo chamber until starts to sound pretty convincing on its own terms. If you’re not already one of the diehards convinced we’re living in a simulation, this movie might actually get you there. |
| The Hollywood ReporterJohn DeForeThough it leaves some avenues underexplored and gives a bit too much attention to the sci-fi landmark name-checked in its title, the film makes for engrossing, sometimes unsettling viewing. |
| The Film StageJohn FinkA Glitch in the Matrix fits well within the canon of Ascher’s pictures, which offer a kind of creepy alternative history of popular culture as interviewees work to identify hidden structures within their lives—including one who insists on organizing time in twelve-day weeks. |
| Slant MagazineChuck BowenRodney Ascher is a sly master of mining potentially jokey or gimmicky subjects for the alienation they primordially express. |
| Screen DailyWendy IdeIt’s a messy, mind-blowing collision of philosophy, technology, religion and fruit-loop paranoia which, while it doesn’t exactly make a watertight case, does provide a fascinating, and in one case deeply disturbing, insight into the thought processes of those who believe it. |
| The PlaylistChris BarsantiAscher’s appropriately discombobulating stew of queasiness, comedy, and terror seems well-cued to the subject matter, even while missing a certain editorial sharpness that might have brought some of its notions into greater clarity. |
| San Francisco ChronicleG. Allen JohnsonUsing movie clips, animation and news footage, Ascher creates his own alternate universe in A Glitch in the Matrix and explores phenomena such as the Mandela Effect, a real-life wonder in which masses of unconnected people claim to “remember” something that is simply not true. |
| TheWrapElizabeth WeitzmanAscher leaves us pondering the costs of dissociation, but also its seductive appeal. Is it really that outlandish to look around occasionally, and wonder at the surreality of it all? |
| The Globe and Mail (Toronto)Barry HertzIt is a lot, and Ascher only has so many stylistic tricks up his sleeve – including a unique, if eventually exhausting, spin on talking-head Zoom footage – to delay the sheer weight of his subject matter from crushing his film into multiverse-ready dust. |
| The A.V. ClubA.A. DowdA Glitch In The Matrix unfolds as a flood of exposition and conjecture, accompanied by a gaudy infotainment montage of video-game footage, movie excerpts, and computer-animated recreations. |