What's the best part of being dead? It's the freedom. The freedom to fight the evil which lurks in our world. 6 Underground's group of unnamed individuals have chosen to change the future. The team's brought together by enigmatic leader code-named 'One', whose sole mission is to ensure that, he and his fellow teammates will have their actions remembered.... (Full plot summary below)
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What's the best part of being dead? It's the freedom. The freedom to fight the evil which lurks in our world. 6 Underground's group of unnamed individuals have chosen to change the future. The team's brought together by enigmatic leader code-named 'One', whose sole mission is to ensure that, he and his fellow teammates will have their actions remembered.
Leave your thoughts about 6 Underground.
| The Globe and Mail (Toronto)Barry HertzA riotous and gleefully delirious assault on the senses. It is vulgar. It is absurd. And it is completely enthralling. |
| IndieWireKate ErblandThe explosions might not be as big on the streaming screen, but they’re as bonkers as ever. |
| IGNMatt FowlerUnderground is cartoonishly raucous explosion porn from mayhem maestro Michael Bay that feels like a film that was made over a decade ago and was just somehow recently unearthed by Netflix. It's a testament to star Ryan Reynolds and his seemingly effortless charisma because without him the movie would have been a snow-blind mess. |
| The GuardianPeter BradshawFor pure gonzo outrageousness and steroidal silliness, this action spectacular made for Netflix by Michael Bay has a certain amusement factor and thumpingly unsubtle oomph. |
| VarietyPeter DebrugeIt’s certainly not great literature, but if you can get past the imbecilic script, there’s no question that Bay has seized the opportunity to make 6 Underground as visually stunning as such a project can withstand. |
| The PlaylistMarshall ShafferThe film is a pure expression of the id for a filmmaker who thrives on moving at 100 cuts per second; for everyone else, as the expression goes, your mileage may vary. |
| ScreenCrushMatt SingerThis is a blast of Bayhem so pure and unfiltered that when a detached human eyeball gets used as a “funny” prop during the first action sequence, it feels like Michael Bay declaring his intentions: This movie is going to blow your f—ing eyeballs out. |
| The A.V. ClubJesse HassengerBetween the movie’s subtext and its new-digital-world distributor, Bay seems to be communicating the frustration of constraint, but why? What has he been barred from doing? |
| The New York TimesGlenn KennyWhen it comes to turning up action to 11, Bay is incorrigible. Not just with sound and fury; there are genuinely eccentric innovations here. There’s certainly not a whole lot of recognizable humanity, but hey, that’s why there’s “It’s a Beautiful Day in the Neighborhood.” |
| RogerEbert.comBrian Tallerico6 Underground is definitely some awfully loud shit. |
