
While Jo (Roberts) is chained down in a dead end supermarket job, her friends are all out on their own separate adventures: Cassandra (Egerton) is jetting off to New York to meet her Internet boyfriend; Kerrys (Warren-Markland) is on a one woman crusade fighting for female liberation and Shannon (Lovibond) is on a one way trip to meet her maker. But a chance encounter with some diamond thieves sends their separate worlds on a collision course with not only each other, but fat... (Full plot summary below)
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While Jo (Roberts) is chained down in a dead end supermarket job, her friends are all out on their own separate adventures: Cassandra (Egerton) is jetting off to New York to meet her Internet boyfriend; Kerrys (Warren-Markland) is on a one woman crusade fighting for female liberation and Shannon (Lovibond) is on a one way trip to meet her maker. But a chance encounter with some diamond thieves sends their separate worlds on a collision course with not only each other, but fate itself. These 4 girls are about to have 3 days they will never forget, spanning to 2 cities. That is ... if they survive.
Leave your thoughts about 4.3.2.1.
| News of the WorldRobbie Collin4.3.2.1 is a totally untested mash-up of slick, Hollywood-style action and edgy British teen drama. And not only does it work -- it works brilliantly. |
| At the Movies (Australia)Margaret PomeranzThis is pretty much a girl power movie, Tarantino style, with jump cuts, fast cuts, split screens and a lot of lip. And for the most part it's fun. |
| Time OutCath ClarkeThese girls are brilliantly un-victimy and always come out fighting. If only they weren't incessantly paraded about in their underwear for the viewing pleasure of men. |
| Sky CinemaSky StaffBorrowing liberally from Tarantino's motor-mouthing, whiplash-editing style, this fast-moving tale barrels along at breakneck speed and -- even if it occasionally trips itself up -- is to be lauded for its smart-gobbed ambition. |
| Total FilmRob JamesLacking the polish of the Tarantino frescoes he's striving to emulate, Clarke's multistrander still packs enough infectious gusto, humour and surprising detours to paper its obvious cracks. He's still on the way up, but the future is bright. |
| ViewLondonMatthew TurnerFlashy, fast-paced and unashamedly trashy, this is a supremely shallow but no less enjoyable thriller, enlivened by strong performances, snappy editing and a willingness not to take itself too seriously. |
| The Age (Australia)Jake WilsonI regret to say I enjoyed nearly every minute. |
| Shadows on the WallRich ClineThere's an interesting idea in this film, as we watch four people over the same three days while their experiences converge into one story. But the plot is riddled with holes and filmmaker Clarke strains to hold it together. |
| London Evening StandardDerek MalcolmLike most of those movies that purport to tell it like it is for the fashionably chic young, the result is as cheesy and sentimental as it pretends to be streetwise. |
| ScotsmanAlistair Harkness4.3.2.1. is shrill, histrionic and a little bit naff when it could have been cool, hip and exciting. |