Yesterday
Yesterday

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- 68/100 based on 160,667 votes

In Lowestoft UK, Jack Malik is a frustrated musician whose musical career is going nowhere despite the faith that his friend/manager Ellie Appleton has in him. However, on the night Jack decides to give up, the whole world is momentarily hit with a massive blackout during which Jack is hit by a bus. Upon regaining consciousness, Jack learns to his astonishment that he is apparently now the only one who knows the music of the Beatles. Realizing this improbable opportunity, Jac... (Full plot summary below)

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Full Plot Details

In Lowestoft UK, Jack Malik is a frustrated musician whose musical career is going nowhere despite the faith that his friend/manager Ellie Appleton has in him. However, on the night Jack decides to give up, the whole world is momentarily hit with a massive blackout during which Jack is hit by a bus. Upon regaining consciousness, Jack learns to his astonishment that he is apparently now the only one who knows the music of the Beatles. Realizing this improbable opportunity, Jack begins playing the music of one of the world's greatest rock bands, being forced to claim it as his own. It pays off quickly and Jack becomes a worldwide musical sensation. However, Jack finds himself drifting away from Ellie, only realizing his love for her when she has become intimidated by his success, which depends on a blatant plagiarization that no one could find out. Now, Jack must make a fundamental moral decision about his music to satisfy his conscience as he decides what he truly needs.

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Movie Reviews

Empire - 9/10 by Helen O'HaraA glowing tribute to The Beatles and their music, this is both a toe-tapping pleasure to watch and a smart, occasionally scathing look at how we get things wrong.
IGN - 8/10 by Matthew DoughertyYesterday doesn’t take too many chances, but it does boast a well-told story with a cast that’s game for both its comedic and more dramatic moments.
The Guardian - 8/10 by Peter BradshawAlthough this film can be a bit hokey and uncertain on narrative development, the puppyish zest and fun summoned up by Curtis and Boyle carry it along.
The Telegraph - 8/10 by Robbie CollinThe film has lots of fun with its premise – until America beckons, then suddenly it seems to lose its head of steam. ... Yet it rallies in style for a beautifully judged and surprisingly moving finale.
Arizona Republic - 8/10 by Ed MasleyPatel does a masterful job of portraying the inner turmoil that comes with a musician having found the fame he thought he always wanted while knowing he's living a lie. And he's great in the musical numbers, which do their best to sound like someone capturing the spirit of those Beatles songs from memory.
Film Threat - 8/10 by Alan NgWhat Richard Curtis brilliantly does with this well-worn storyline is bring in elements to make it feel fresh.
ReelViews - 8/10 by James BerardinelliAlthough the idea behind Yesterday was to craft a love-letter to The Beatles, the end result tastes a lot like a typical Richard Curtis rom-com with a generous helping of John-Paul-George-Ringo gravy.
The Globe and Mail (Toronto) - 8/10 by Brad WheelerSo, is Yesterday a one-trick Dig a Pony or did renowned British screenwriter Richard Curtis and the great British filmmaker Danny Boyle turn a cute hook into something meaningful? The answer is that the duo tries for the latter, but doesn’t quite nail it.
New York Post - 8/10 by Johnny OleksinskiIf you’re a Fab Four fan like I am, that setup itself sends you into an existential tizzy. But it makes for a likable, quirky movie that’s British writer Richard Curtis’ (“Bridget Jones’ Diary”) best work in years.
USA Today - 8/10 by Brian TruittIntroduces an endearing, guitar-strumming new star in British actor Himesh Patel.

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