Anke retires from her job at the church in a small town in the Black Forest. She looks forward to reuniting with her children over the summer holidays by the Baltic Sea, at a place where they used to live as a young family, and where she lived her best years. At the last minute, her son Max is unable to join them because of the pro-democracy protests that are bringing Hong Kong, where he lives, to a standstill. She has been out of touch with him for many years and after an ot... (Full plot summary below)
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Anke retires from her job at the church in a small town in the Black Forest. She looks forward to reuniting with her children over the summer holidays by the Baltic Sea, at a place where they used to live as a young family, and where she lived her best years. At the last minute, her son Max is unable to join them because of the pro-democracy protests that are bringing Hong Kong, where he lives, to a standstill. She has been out of touch with him for many years and after an otherwise uneventful summer and facing the void of retirement, she decides to visit him. A mother wants to check in on her children every now and then, but Hong Kong is also her adventure. She takes up residence in his flat while Max is away on a business trip and cautiously begins to navigate this mysterious new world. Through conversations with strangers, she gradually settles in. A young woman who is sad to leave Hong Kong, Max's doorman, a psychiatrist, a fortune teller and a social activist. These encounters and her experience of the city help her to break down the inner walls she constructed years ago and make way for a new chapter in her life.
Leave your thoughts about Wood and Water.
| Los Angeles TimesRobert AbeleJuxtaposing nature’s comforting placidity and an urban mélange in which freedom is always in flux, “Wood and Water” breathes with unforced majesty about what’s sad and beautiful in moments of great change — story, mood and near-documentary-like observation are in a wonderful harmony here. |
| The New York TimesBeatrice LoayzaWith a kind of dissociative, jet lag-induced delirium, the film transitions — somehow fluidly — from the lush woodlands and desolate churches of southern Germany to the flickering lights and modernist textures of Hong Kong in the throes of mass demonstrations. |
| Film ThreatKyle BainThe drama is relevant, touching, and ultimately meaningful, as it aims to educate and enlighten its viewers. As such, if you’re willing to put in the time and effort, insert yourself in the narrative, actively ponder the questions being asked, and admire the nuances of what Jonas Bak creates, you are likely to find something to enjoy. |
| Slant MagazineJake ColeJonas Bak’s semi-autobiographical film is a gentle depiction of modern alienation. |
