
Commitment phobic Morgan and her ex-girlfriend Jean are locally famous true crime podcasters obsessed with female serial killers. There's a chance they may still have feelings for each other, but co-dependence takes a back seat when Morgan meets the mysterious Simone during her Food Coop shift. Blinded by infatuation, Morgan quickly signs up for the relationship, ignoring warnings from friends that her new love interest is practically a stranger. When Jean shows Morgan proof ... (Full plot summary below)
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Commitment phobic Morgan and her ex-girlfriend Jean are locally famous true crime podcasters obsessed with female serial killers. There's a chance they may still have feelings for each other, but co-dependence takes a back seat when Morgan meets the mysterious Simone during her Food Coop shift. Blinded by infatuation, Morgan quickly signs up for the relationship, ignoring warnings from friends that her new love interest is practically a stranger. When Jean shows Morgan proof that Simone may not be who she says she is, Morgan accuses Jean of trying to ruin the best thing that's ever happened to her. But as she and Simone move into commitment territory, Morgan starts to notice red flags -- maybe Jean was right and Simone isn't as perfect as Morgan's made her out to be. Morgan and Jean investigate Simone as if she were a subject of their podcast, they uncover disturbing clues -- a death at the Food Coop, a missing friend, a murder weapon -- leading them to suspect her not only of mystery, but of murder. In the end, Morgan has to examine all the evidence in front of her: Is she just afraid of what it means to be in a relationship or is her life actually in danger?
Leave your thoughts about Women Who Kill.
| International Business TimesMaria VultaggioNot exactly a comedy and not precisely a horror flick, Women Who Kill ultimately falls flat. |
| 4:3Janice LoreckThis macabre innovation upon the romantic scenario is the film's most appealing characteristic, as well as the source of much of its humour. |
| ArtsHubSarah WardAppealing as the film's storyline is, and adept as the feature proves at navigating shifts in tone from amusing to sinister and back again too, it's minutiae that matters most. |