
Verena is a young nurse hired to help a mute young heir within an isolated castle in Tuscany. The more she observes the boy, the more Verena becomes convinced he has fallen under the spell of a powerful and otherworldly persona trapped in the castle's stone walls, one that seems to be quickly approaching on her.... (Full plot summary below)
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Verena is a young nurse hired to help a mute young heir within an isolated castle in Tuscany. The more she observes the boy, the more Verena becomes convinced he has fallen under the spell of a powerful and otherworldly persona trapped in the castle's stone walls, one that seems to be quickly approaching on her.
Leave your thoughts about Voice from the Stone.
| Seattle TimesSoren AndersonWith her wonderfully expressive face, Clarke carries the picture, navigating her character's gradual transformation with grace and conviction. |
| Eye for FilmJennie KermodeWith a solid performance from young Dring as well, Voice From The Stone is an accomplished piece of work. |
| Blu-ray.comBrian Orndorf"Voice from the Stone" isn't very good, far too messy and unfocused to demand full attention, but when it comes together, it offers a glimpse of what could've been. |
| The Seattle TimesSoren AndersenWith her wonderfully expressive face, Clarke carries the picture, navigating her character’s gradual transformation with grace and conviction. |
| SciFiNowAnton Bitelan eerie and uncanny mystery, engraved upon evocative locations, some subtle sound design, and Clarke's endlessly expressive eyebrows. |
| Dread CentralJonathan Barkan...a film that is poetic and subtle, a slow-burn, perhaps too slow at points, that culminates in a difficult, yet compelling ending. |
| ReelTalk Movie ReviewsBetty Jo Tucker'Voice from the Stone' offers suspense. Though some parts fail to make good sense, gothic romance and mystery add much to this film's strange beauty. |
| ComingSoon.netChris AlexanderEmilia Clarke gives a solid performance in this beautifully-crafted romantic horror film. |
| Los Angeles TimesSheri LindenHowell’s inept pileup of would-be signifiers — a misty quarry, a family crypt, a philosophical beekeeper — gives way to frisson-free horror and unconvincing romance. |
| Washington PostMichael O'SullivanThe film looks handsome and expensive, building up a nice head of suspense before sputtering to a less than wholly satisfying conclusion. |