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Leave your thoughts about Vesper.
| The Film StageJared MobarakThe film zooms in to project humanity’s struggle onto Vesper. With one gust of wind (and some tragic losses), health and prosperity can be hers (and ours) again. |
| The GuardianLeslie FelperinVesper plays like a cult film waiting to be discovered. It adeptly fuses a compelling YA-friendly story about a teenage girl’s survival in a hostile environment with dense, thoughtful world-building, the sort required to draw in nerdy-minded viewers. That savvy combination creates a narrative that breathes and expands, like one of the freaky mycelium-like life forms that populate the story. |
| Movie NationRoger MooreThe story’s arc may feel familiar, but it isn’t utterly predictable, with the child’s enterprise and cunning nicely matched against Marsan’s I’m Bigger Than You omnipotence. And the messaging of “Vesper” leaves this bleak tale a little room to breathe and anyone watching it the tiniest prayer of hope. |
| ColliderMaggie LovittAt its core, Vesper feels like a dark fairytale, like something born from the haunted tales of Grimms' Fairy Tales. |
| RogerEbert.comSimon AbramsVesper doesn’t just ask viewers to root for one more hopeless case as she struggles to triumph over adverse living conditions. Instead, it asks us to spend time with a young protagonist who thinks she’s on the verge of a breakthrough and leads us to constantly worry that she might be wrong. |
| PolygonTasha RobinsonDystopian sci-fi has rarely been as delicately and beautifully detailed as Kristina Buozyte and Bruno Samper’s new film. |
| The New York TimesNicolas RapoldA wistful beauty and a delicately imaginative sense of craft set Vesper apart from most post-apocalyptic stories. |
| IndieWireDavid EhrlichBy the time this highly evocative work of low-budget sci-fi arrives at its eye-opening final scene, the clearest takeaway is that our only hope for survival has been coded into us since the beginning of time. |
| Austin ChronicleRichard WhittakerUnder the muck and mire, Vesper is a reminder that both life and hope can be surprisingly durable, flexible, and morphable. |
| Wall Street JournalKyle SmithThe dystopian sci-fi drama Vesper is a gallery of astounding images set in a weirdly enticing future. The new world it depicts is both primitive and advanced, full of richly detailed flora and fauna representing strange new species that came about after mankind experimented heavily with genetic engineering as society crumbled to dust. |
